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Record W2084233685 · doi:10.3138/md.0596r.94

Vanishing Acts: Sarah Kane’s Texts for Performance and Postdramatic Theatre

2015· article· en· W2084233685 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueModern Drama · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsContext (archaeology)Event (particle physics)Space (punctuation)Performance artAestheticsComputer scienceHistoryArtLinguisticsArt historyPhilosophy

Abstract

fetched live from OpenAlex

ABSTRACT: Written as texts for performance, Sarah Kane’s Crave and 4.48 Psychosis challenge the traditional dichotomy between dramatic literature and performance and reveal that the concept of presence often determines the authority that is invested either in performance or in text whenever the two are opposed. If we take Hans-Thies Lehmann’s elucidation of the “performance text” seriously, Kane’s notion of a text for performance provides the opportunity to rethink the text from within a postdramatic context, naming how complex aesthetic variables (including, but not limited to, printed content) interact to create a theatrical work. Yet, while performance influenced Kane’s effort to make theatre, her last two works question more traditional conceptualizations of performance as a present event that may refer to life itself. Kane, therefore, offers an opportunity to rethink performance postdramatically, whereby performance may be defined as the assemblage of a text that gives time and space to present life’s deferral.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.884
Threshold uncertainty score0.570

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.041
GPT teacher head0.240
Teacher spread0.199 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it