The Temporal Theatres of Sculpture and Drama: Wole Soyinka and New York's Metropolitan Museum of Art
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Abstract To investigate the practices of evaluating and collecting African art is to expose the way in which modernism has dehistorized African art, globalizing it, universalizing it, rendering it timeless and thus 'modern.' In this way, modernism holds a mirror to itself, claiming for itself properties of truth and authenticity. The evolution of the New York art scene between 1957 and 1982 demonstrates a shift in museological praxis from anthropological to cultural theatre. In opposition to the neutralizing of history and the valorization of modernism, Wole Soyinka's tragic drama Death and the King's Horseman involves the spectator in a more interrogative instability. The synecdochal art object at the centre of the play, the egungun death mask, represents the extreme cultural negotiation of the imperialist stage. Unlike the passive, stoic nature of African sculpture, however, the ritual of the mask is aggressive and demanding, insisting as it does on its place in the terrifying vortex of post-colonial power politics.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it