MétaCan
Menu
Back to cohort
Record W2115347426 · doi:10.1177/1470412910380343

Witness to War: The Uses of Photography in the Illustrated Press, 1855-1904

2010· article· en· W2115347426 on OpenAlexaff
Thierry Gervais

Bibliographic record

VenueJournal of Visual Culture · 2010
Typearticle
Languageen
FieldArts and Humanities
TopicPhotography and Visual Culture
Canadian institutionsToronto Metropolitan University
Fundersnot available
KeywordsNewspaperWitnessPhotographyFirst world warVisual artsSpanish Civil WarWoodcutDocumentationPhotojournalismHistoryVisual culturePrinting pressStyle (visual arts)Resistance (ecology)ArtArt historySociologyMedia studiesComputer scienceLawHumanitiesArchaeologyPolitical science

Abstract

fetched live from OpenAlex

An analysis of war images in the 19th—century press reveals a certain resistance to the new medium of photography. First, printing techniques did not allow for the direct use of the photograph itself in newspaper layouts: as the photographs were reproduced through the work of an engraver, what was there to distinguish them from traditional representations? Second, at the turn of the century, the halftone process replaced engraving and allowed for the printing of images that were more faithful in tonal subtleties to the original photographs. When special correspondents began supplying war photographs, how did illustrated newspapers organize the dissemination of this new kind of image? A consideration of the use of war photographs in the illustrated press informs us both of the choices made regarding the documentation of the war and the nature of the images that circulated in the public sphere, shaping the visual culture of the era.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.017
Threshold uncertainty score0.048

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0030.003
Science and technology studies0.0080.011
Scholarly communication0.0070.004
Open science0.0010.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0140.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.298
Teacher spread0.267 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations41
Published2010
Admission routes1
Has abstractyes

Explore more

Same venueJournal of Visual CultureSame topicPhotography and Visual CultureFrench-language works237,207