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Record W2128288317 · doi:10.16995/ntn.462

Scraps and Sketches: Miscellaneity, Commodity Culture and Comic Prints, 1820-40

2007· article· en· W2128288317 on OpenAlexaboutno aff
Brian Maidment

Bibliographic record

Venue19 Interdisciplinary Studies in the Long Nineteenth Century · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsnot available
Fundersnot available
KeywordsPrint cultureVisual cultureReputationCommodityComicsNarrativeComic stripConsumer CultureProduct (mathematics)Quarter (Canadian coin)Period (music)AdvertisingArtVisual artsHistoryLiteratureSociologyAestheticsBusinessSocial science

Abstract

fetched live from OpenAlex

This essay considers the emergent significance in the 1820s and 1830s of the market for engraved or lithographed images intended for use in albums and scrapbooks. Part of a wider development of the consumer culture for prints, scraps were a characteristic product in publishers' attempts to find a more varied and profitable market for their products. Largely derided by scholarly historians as trivial representatives of the debased and vulgar tastes consequent upon the democratization of the print market in the second quarter of the nineteenth century, the market in scraps nonetheless offers an important insight into the ways in which visual culture adapted to change in this period. In particular, scraps drew women more extensively into the market place for prints, and were crucial in the development of an illustrated periodical literature. After offering a brief overview of the scraps trade and some description of the ways in which images were assembled and deployed in albums, this essay goes on to consider the reasons for the lowly critical reputation of scraps in an attempt to reinsert this genre more adequately into the historical narrative of print culture.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.018
Threshold uncertainty score0.036

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0030.003
Science and technology studies0.0070.014
Scholarly communication0.0050.003
Open science0.0000.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0060.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.047
GPT teacher head0.316
Teacher spread0.270 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations19
Published2007
Admission routes1
Has abstractyes

Explore more

Same venue19 Interdisciplinary Studies in the Long Nineteenth CenturySame topicHistorical Art and Culture StudiesFrench-language works237,207