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Record W2145571990 · doi:10.1177/1321103x14523531

An investigation into musicians’ thoughts and perceptions during performance

2014· article· en· W2145571990 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueResearch Studies in Music Education · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Music Education Insights
Canadian institutionsUniversity of Calgary
Fundersnot available
KeywordsPsychologyPerceptionFeelingAnxietyLocus of controlSocial psychologyMusicalInterpretation (philosophy)Applied psychology

Abstract

fetched live from OpenAlex

Given the current state of understanding surrounding musicians’ experiences while performing, this study sought to investigate musicians’ thoughts and perceptions during performances and the perceived impact their evaluation of those thoughts and perceptions has on their subsequent musical activities. Twenty-nine student and professional classical musicians were interviewed concerning factors perceived to contribute to the quality of performances, experiences prior to and during performances, and their responses to performances. Self-perceived successful performances were often connected with feelings of sufficient preparation and positive mind-sets, and presented a high yet attainable level of challenge. Less successful performances were typically linked with inadequate preparation, negative mental outlooks, frustration, and lack of enjoyment during the performance itself. Furthermore, the results pointed to the relevance of facilitative versus debilitative perfectionism, locus of control, interpretation of anxiety symptoms, and the interaction between self-talk, self-efficacy, and performance quality to musicians’ performance experiences and satisfaction.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.156
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0010.001
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.185
GPT teacher head0.401
Teacher spread0.216 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it