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Record W2146369999 · doi:10.3138/md.56.2.186

What Is and What Aint:<i>Topdog/Underdog</i>and the American Hustle

2013· article· en· W2146369999 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueModern Drama · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicCultural Studies and Interdisciplinary Research
Canadian institutionsnot available
Fundersnot available
KeywordsBrotherMillerKinshipDramaPerformance artGenealogyArt historySociologyHistoryArtVisual artsAnthropology

Abstract

fetched live from OpenAlex

ABSTRACT: Taking as a jumping off point the three-card monte dealer’s techniques in hustling a mark, this article’s examination of Suzan-Lori Parks’s Topdog/Underdog emphasizes exactly how Lincoln manipulates his younger brother, Booth. Attention to Lincoln’s methods reveals that he never intends to teach Booth the con; instead, he inflates Booth’s confidence in order to con his brother out of five-hundred dollars. Parks’s play is a biting critique of family in contemporary American society, exposing the breakdown of supposed unifiers like race and kinship. While the play is traditionally read as an “African-American drama” or “brother play,” this article suggests an alternative genealogy that includes Arthur Miller’s Death of a Salesman and August Wilson’s Fences. Miller’s Biff and Happy became Wilson’s Lyons and Corey, and are now Parks’s Lincoln and Booth in a play that examines how the wounds of mid-twentieth-century socio-economic mendacity and inequality persist with increasing destructiveness in the present day.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScholarly communication, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.526
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.002
Scholarly communication0.0040.002
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.040
GPT teacher head0.280
Teacher spread0.240 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it