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Record W2149051641 · doi:10.1177/1354067x02008002437

The Evolution of Psychical Distance As an Aesthetic Concept

2002· article· en· W2149051641 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueCulture & Psychology · 2002
Typearticle
Languageen
FieldNeuroscience
TopicAesthetic Perception and Analysis
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsWitnessObject (grammar)AestheticsPleasureViewpointsEnlightenmentEvent (particle physics)SublimeDramaEpistemologyPsychologyPhilosophyArtLiteratureVisual arts

Abstract

fetched live from OpenAlex

The problem of psychical distance refers to the relationship that a person has with an aesthetic object or work. Two basic traditions can be distinguished that have played a meaningful role in describing the underlying processes. The British Empiricist and Enlightenment traditions established the idea that the ‘real’ objective properties of aesthetic works engage viewers and evoke feelings of pleasure. The Romantic tradition placed a greater emphasis on interpretive activity in recipients who ‘willingly suspend disbelief’ and temporarily enter the ‘fictive’ worlds of poetry and drama. Writing in the early 20th century, Edward Bullough produced the idea of ‘psychical distance’, which combines both personal involvement and an awareness that the object or event is a cultural artifact. As the 20th century unfolds, we witness the death of the ‘aesthetic object’ as such and the emergence of a view that accommodates artists, aesthetic artifacts and receivers as open-ended and interacting systems. The complementary role of the realist and constructivist viewpoints is emphasized.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.869
Threshold uncertainty score0.796

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.032
GPT teacher head0.337
Teacher spread0.305 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it