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Spatial representation of pitch height: the SMARC effect

2008· article· en· 577 citations· W2162846639 on OpenAlex

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A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

Canadian funderA Canadian agency funded it. The work may carry no Canadian affiliation at all.

No Canadian affiliation. An affiliation-only frame — the usual design — would never have seen this work. It is one of the works that make the case for inverting the frame.

Machine scores (provisional)

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Opus teacher head0.056
GPT teacher head0.302
Teacher spread
0.246 · how far apart the two teachers sit on this one work
Validation status
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Abstract

Through the preferential pairing of response positions to pitch, here we show that the internal representation of pitch height is spatial in nature and affects performance, especially in musically trained participants, when response alternatives are either vertically or horizontally aligned. The finding that our cognitive system maps pitch height onto an internal representation of space, which in turn affects motor performance even when this perceptual attribute is irrelevant to the task, extends previous studies on auditory perception and suggests an interesting analogy between music perception and mathematical cognition. Both the basic elements of mathematical cognition (i.e. numbers) and the basic elements of musical cognition (i.e. pitches), appear to be mapped onto a mental spatial representation in a way that affects motor performance.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

The record

Venue
Topic
Neuroscience and Music Perception
Field
Neuroscience
Canadian institutions
Funders
Ministero dell’Istruzione, dell’Università e della RicercaEuropean CommissionMcGill University
Keywords
Representation (politics)PsychologySpatial cognitionPerceptionCognitionMental representationAnalogyPitch (Music)Spatial abilityCognitive psychologyTask (project management)Space (punctuation)Mental rotationNumerical cognitionCommunicationCognitive scienceComputer scienceLinguisticsNeuroscience
Has abstract in OpenAlex
yes