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Record W2232691053 · doi:10.1080/1369801x.2015.1129912

From ‘Magic’ to ‘Tragic Realism’

2016· article· en· W2232691053 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueInterventions · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicSouth Asian Cinema and Culture
Canadian institutionsUniversity of Lethbridge
Fundersnot available
KeywordsHybridityMidnightMAGIC (telescope)PoliticsRealismMagic realismState (computer science)LiteratureHistoryPower (physics)LawSociologyArtPolitical scienceAstronomy

Abstract

fetched live from OpenAlex

The year 2013 was the 94th anniversary of the Amritsar massacre in the Jallianwala Bagh, and it was also the year that the film of Salman Rushdie's Midnight's Children went on general release. The Amritsar atrocity is the first historical event portrayed in the original novel, demonstrating its relevance to the emergence of an independent India, yet – despite its director being born in Amritsar – the movie chooses not to represent the massacre at all. This essay argues that such a symbolic omission hints at a major shift in the politics of Rushdie's newer work: The Enchantress of Florence and Shalimar the Clown are marked by a capitulation in the face of state power that Rushdie fought so hard against in Midnight's Children and The Satanic Verses. Rushdie has never been only a celebrant of ‘hybridity, impurity, intermingling,’ preferring instead to dramatize the conflict between the magic of hybridity and the awful realities of state power, in a technique I dub ‘tragic realism’. In his latest novels, however, Rushdie portrays less and less magic in his worlds, replacing it with more and more sadness about what he sees as the failure of hybridity as a political project in the face of sovereign power and the state of exception.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.467
Threshold uncertainty score0.996

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0360.005

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.066
GPT teacher head0.288
Teacher spread0.222 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it