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Record W2232691053 · doi:10.1080/1369801x.2015.1129912

From ‘Magic’ to ‘Tragic Realism’

2016· article· en· W2232691053 on OpenAlexaff
Nicholas Morwood

Bibliographic record

VenueInterventions · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicSouth Asian Cinema and Culture
Canadian institutionsUniversity of Lethbridge
Fundersnot available
KeywordsHybridityMidnightMAGIC (telescope)PoliticsRealismMagic realismState (computer science)LiteratureHistoryPower (physics)LawSociologyArtPolitical scienceAstronomy

Abstract

fetched live from OpenAlex

The year 2013 was the 94th anniversary of the Amritsar massacre in the Jallianwala Bagh, and it was also the year that the film of Salman Rushdie's Midnight's Children went on general release. The Amritsar atrocity is the first historical event portrayed in the original novel, demonstrating its relevance to the emergence of an independent India, yet – despite its director being born in Amritsar – the movie chooses not to represent the massacre at all. This essay argues that such a symbolic omission hints at a major shift in the politics of Rushdie's newer work: The Enchantress of Florence and Shalimar the Clown are marked by a capitulation in the face of state power that Rushdie fought so hard against in Midnight's Children and The Satanic Verses. Rushdie has never been only a celebrant of ‘hybridity, impurity, intermingling,’ preferring instead to dramatize the conflict between the magic of hybridity and the awful realities of state power, in a technique I dub ‘tragic realism’. In his latest novels, however, Rushdie portrays less and less magic in his worlds, replacing it with more and more sadness about what he sees as the failure of hybridity as a political project in the face of sovereign power and the state of exception.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.011
Threshold uncertainty score0.039

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0100.051
Scholarly communication0.0110.009
Open science0.0010.006
Research integrity0.0020.008
Insufficient payload (model declined to judge)0.0070.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.066
GPT teacher head0.288
Teacher spread0.222 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations3
Published2016
Admission routes1
Has abstractyes

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