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Record W2235930474 · doi:10.25071/1718-4657.36711

“WE ARE THE WORLD”: THE FLIGHT FROM IMPOTENCE IN THE SOCIETY OF THE SPECTACLE

2010· article· en· W2235930474 on OpenAlexvenueno aff
Matt McGregor

Bibliographic record

VenueIntersections conference journal · 2010
Typearticle
Languageen
FieldSocial Sciences
TopicPolitical Theology and Sovereignty
Canadian institutionsnot available
Fundersnot available
KeywordsSpectacleLyricsSingingPoliticsWhite (mutation)ArtPopular musicFace (sociological concept)Visual artsMedia studiesArt historyAestheticsLiteratureSociologyLawPolitical science

Abstract

fetched live from OpenAlex

Punctuating a recent music video we see, in his white glove and gold jacket, before his infamous face-whitening surgeries, the Michael Jackson of old. This video, for the song “We are the World 25,” is introduced, directly into camera, by a sincere Jamie Foxx, who implores viewers to give generously to help the recovery effort in Haiti. “Do more than just watch,”he says. “Take action.” Then, before the expected images of Haitians, and even before the singing celebrities themselves, we see a host of signatures unfolding on a black background.From the beginning, then, this video walks a very thin line: clearly banking on the reputations of singers who have made their careers as spectacles, as images, the video goes to some lengths to claim an authentic, and even superior, political position. “Give what you can,”Jamie Foxx says, “as I have.”The video’s repeated use of the image of Michael Jackson signifies this tenuous, if not contradictory, position. Who, after all, is more exemplary of the cultural logic of the societyof the spectacle than Michael Jackson? And who, in the pantheon of MTV singers, spent more time claiming authenticity and declaring our collective responsibility for a universal humanity? The video presents an excess of repetition and citation, in terms of its music and lyrics, the images Michael Jackson himself, as well as the chorus of Jackson-citing celebrity singers. But, despite the obvious point that these images and these performers are perhaps the most manufactured and least authentic imaginable, the video’s authenticity, as well as its anxiety over its own search for authenticity, is almost hyperbolically announced. My goal in this short essay is to read this video in relation to Agamben’s claims about the spectacle in his book The Coming Community. I will argue that it is precisely this citationality, this identity without essence—what is clearly a profoundly inauthentic announcement of authenticity—that Agamben sees as, potentially, the road out of the spectacle society. This video promiseswhat Agamben calls “whatever” politics (1), so–called politics, or, in Derrida’s terminology, a politics “under erasure” ( OG 23). At the same time, this video reveals the parallel logic,suggested in juridical terms in Agamben’s Homo Sacer, in which the anxiety of nonbelonging and inauthenticity leads to a more extreme and potentially violent search for essential group belonging and authentic political identity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.036
Threshold uncertainty score0.064

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0360.024
Scholarly communication0.0130.011
Open science0.0010.008
Research integrity0.0040.008
Insufficient payload (model declined to judge)0.0190.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.314
Teacher spread0.280 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes1
Has abstractyes

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