MétaCan
Menu
Back to cohort
Record W239958255

Excerpts from the Drawn like Money Series

2008· article· en· W239958255 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueVisible Language · 2008
Typearticle
Languageen
FieldHealth Professions
TopicIndigenous Studies and Ecology
Canadian institutionsnot available
Fundersnot available
KeywordsCapitalismVisual artsSociologyHistoryArt historyArtLawPoliticsPolitical science
DOInot available

Abstract

fetched live from OpenAlex

The Drawn Like Money Series is a group of drawings, made with pen and ink, based on my own photographic images of the Canadian Arctic. The works are intended to resemble the conventional engraved syntax found on paper currency. Drawn Like Money, which was occasioned by a collaborative project entitled Ar t and Cold Cash, is excerpted here to demonstrate my interest in representations of landscape and wildlife through visual rubrics that have come to confer notions of economic value upon pictorial representations. Art and Cold Cash is an art project connecting contemporary art and discourses surrounding money with the development of works in video and by a five-member artists' collective. Jack Butler, Sheila Butler and I are contemporary Canadian artists who have lived and worked in the Canadian North. Beginning in 2004, we undertook an artistic collaboration with writer, Ruby Arngna'naaq, and artist, William Noah. Those two Inuit members of the Art and Cold Cash Collective lived through the change from barter economy to capitalism in Baker Lake, Nunavut, Canada. So, the experience and knowledge of Arngna'naaq and Noah are linked with the perspectives of Jack Butler, Sheila Butler and myself. A key factor in this project is the history of twentieth century Canadian art as concurrent with the relatively recent introduction of capitalist exchange in the Canadian Arctic. As a creative response to the historical conditions around which it is centered, the project is committed to collective art making and analysis as culturally necessary and creatively expansive at this time of increasing globalization. Specific to the Drawn Like Money Series was the idea that nationhood in Canada has in part been forged in relationship to images of the land, including those painted by artists and illustrators whose works were modeled on a British idea of landscape; by the paintings of the Group of Seven; and with regard to other such representations displayed on paper money since the midtwentieth century and earlier. Images of the land have been used to promote Canadian nationalism in a number of ways, including, as Emily Gilbert has shown, by drawing upon the kinds of natural images that have long fed the Canadian imagination. ' Thus the circulation and flow of currency bearing landscapes in Canada has historically been a means to encourage within the minds and hearts of citizens involved in daily capitalist exchange nationalist sentiments tied to representations of the land. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.477
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0070.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0030.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.029
GPT teacher head0.342
Teacher spread0.312 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it