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Record W2417031639 · doi:10.7202/1035290ar

La pensée iconique

2016· article· fr· W2417031639 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueRecherches sémiotiques · 2016
Typearticle
Languagefr
FieldArts and Humanities
TopicSemiotics and Representation Studies
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesPhilosophyArt

Abstract

fetched live from OpenAlex

Nous partons de la distinction que Peirce (C.P. 2.276) établit entre les signes iconiques ou hypoicônes et l’icône pure. Cette distinction nous est apparue fondamentale pour rendre compte du fonctionnement des oeuvres d’art. Dans des travaux antérieurs, nous avons élaboré, à la lumière de Peirce, un modèle de la communication artistique qui met en rapport la production et la réception d’une oeuvre. Nous considérons que l’objectif d’une oeuvre d’art est de capter ce que Peirce appelle des “qualités de sentiments” (de l’ordre du possible, de la priméité ), qui, au départ, sont vagues et confuses. L’artiste les rend intelligibles sous la forme de signes iconiques ou hypoicônes. Cependant, les signes ne parviennent jamais à matérialiser complètement la priméité : l’icône pure demeure irreprésentable. Ce que fait essentiellement une oeuvre d’art - sa spécificité, à notre avis -, c’est, par un agencement de signes iconiques, conduire le récepteur au-delà de la limite du représentable, à un niveau de pensée iconique , c’est-à-dire une pensée capable d’envisager une qualité totale et infinie.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.883
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.002
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0030.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.198
GPT teacher head0.372
Teacher spread0.175 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it