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Record W2508033331 · doi:10.30535/mto.13.3.4

Listening to the Music Itself

2007· article· en· W2508033331 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueMusic Theory Online · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsActive listeningTone (literature)LiteratureArtHumanityVisionAestheticsPhilosophyCommunicationPsychology

Abstract

fetched live from OpenAlex

In “Music and the Time Screen” (1976), Elliott Carter outlines rhythmic procedures in several of his pieces, and then indicates that he has discussed only “the outer shell” and remained silent on “the issues and visions most important and significant during the act of composing.” Following up on these comments, I present a two-part analysis of his “In Genesis” from In Sleep, In Thunder (1981). Part I (“The Shell”) focuses on techniques emphasized in Carter’s writings—large-scale polyrhythms, metric modulations, notated accelerandi and all-interval twelve-tone chords. Part II (“Breaking Through”) deals with other topics: pitch relationships involving the perfect fifths that articulate the large-scale polyrhythms and notated accelerandi , focal pitches that encapsulate the divinity/humanity dichotomy in the poem, motivic unity in the vocal line, and other spontaneous interrelationships that contribute local and long-range coherence.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.957
Threshold uncertainty score0.993

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0080.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.040
GPT teacher head0.260
Teacher spread0.220 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it