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Record W2616532633 · doi:10.1057/978-1-137-56135-0_25

Punishment as Sublime Edutainment: “Horrid Spectacles” at the Prison Museum

2017· book-chapter· en· W2616532633 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenuePalgrave Macmillan UK eBooks · 2017
Typebook-chapter
Languageen
FieldPsychology
TopicMemory, Trauma, and Commemoration
Canadian institutionsUniversity of GuelphWestern University
Fundersnot available
KeywordsSublimePunishment (psychology)PrisonPsychologyArtCriminologySociologyAestheticsSocial psychology

Abstract

fetched live from OpenAlex

It has been suggested that the seeking out of aestheticized forms of crime-related pain and suffering for pleasurable consumption is a postmodern phenomenon (Lennon and Foley 2004). And yet, as Michel Foucault (1977) reminds us in his particularly gruesome discussion of the treatment of Damiens the regicide, public executions during the eighteenth century were frequently the occasion for festivals at which the enterprising sold refreshments and souvenirs. Indeed, we can trace crime and punishment as staple elements of human entertainment to much earlier historical periods: in the plays of Greek antiquity and in a variety of premodern life and death spectacles featuring the agonies of offenders against the social order. What is different about the use of crime and punishment as entertainment for contemporary audiences from earlier premodern forms is that crime and its punishment are now, comparatively speaking, largely abstract entities, the spectacle of actual suffering being largely obscured from the audience’s view.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.726
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0120.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.033
GPT teacher head0.289
Teacher spread0.256 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it