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Record W2773688099 · doi:10.4000/belphegor.979

The middlebrow Spanish Civil War film: a site of mediation between culture and history.

2017· article· en· W2773688099 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueBelphégor · 2017
Typearticle
Languageen
FieldArts and Humanities
TopicSpanish Culture and Identity
Canadian institutionsnot available
Fundersnot available
KeywordsMiddlebrowSpanish Civil WarNarrativeMediationHistoryOralityAestheticsLiteratureArtSociologySocial science

Abstract

fetched live from OpenAlex

Films set during or immediately after the Spanish Civil War have a long tradition in Spain, one which spans the entire spectrum of filmic genres, from propaganda to musicals to art-house. This genre has not abated since the turn of the century, it has become increasingly ubiquitous and since the late 1990s, undeniably ‘middlebrow’. Yet this prolific genre, on the whole, is largely snubbed by films critics and academic researchers alike. The old adage of ‘oh not another civil war film’ remains widely recurrent in the press, but the fact that many, if not all, of these productions deal with narrative tropes that are of profound social relevance warrants further investigation. By analysing the primacy of emotion and affect in two films, Blind Sunflowers (Los Girasoles Ciegos, 2009) and The Sleeping Voice (La voz dormida, 2011), this article argues that civil war films constitute a sub-genre of the Spanish middlebrow which is exceptionally, yet controversially, well-suited to the exploration of socially and culturally traumatic themes.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.262
Threshold uncertainty score0.828

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.227
Teacher spread0.193 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it