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Record W2907166926 · doi:10.1086/699647

The Pleasure of Hating the Renaissance

2019· article· en· W2907166926 on OpenAlexaff
Christopher Warley

Bibliographic record

VenueSpenser Studies A Renaissance Poetry Annual · 2019
Typearticle
Languageen
FieldSocial Sciences
TopicCritical Theory and Political Philosophy
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsPleasureBeautyThe RenaissanceSubject (documents)AestheticsPoliticsReading (process)ArtLiteratureScholarshipPhilosophyArt historyLawPsychology

Abstract

fetched live from OpenAlex

This essay reads Ruskin’s The Stones of Venice through the lens of Erich Auerbach and Jacques Rancière to argue that the nineteenth-century term “Renaissance” names a link, never secure, between art, history, and collectivity—which is to say, a continual rebirth of historical life. Reading Ruskin makes clear that since the nineteenth century Renaissance has never meant, despite the efforts of many from a variety of political positions to make it mean, an abstract concept of beauty manifesting itself as the informing spirit of works of art. It has never meant a majestic subject standing athwart from history and imposing his masculine will upon yielding, feminine materials. It has never meant a Eurocentric imposition of universal values upon the peripheral world. Instead, a Renaissance by definition violates epistemes by insisting upon a link between disparate times, places, and peoples. Thus the term that demarcates the cinquecento as a unique historical moment also is the term that demarcates a nineteenth-century aesthetic.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.008
Threshold uncertainty score0.027

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.006
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0080.032
Scholarly communication0.0060.006
Open science0.0010.004
Research integrity0.0020.007
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.042
GPT teacher head0.366
Teacher spread0.325 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2019
Admission routes1
Has abstractyes

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Same venueSpenser Studies A Renaissance Poetry AnnualSame topicCritical Theory and Political PhilosophyFrench-language works237,207