MétaCan
Menu
Back to cohort
Record W2943860364

Staging Transcultural Relations: Early Nineteenth-Century British Drama and the Greek War of Independence

2019· article· en· W2943860364 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueJournal of modern Hellenism · 2019
Typearticle
Languageen
FieldSocial Sciences
TopicContemporary and Historical Greek Studies
Canadian institutionsLangara College
Fundersnot available
KeywordsGreeksWar of independenceIndependence (probability theory)IrishDramaPoliticsHistoryClassicsFeelingSpanish Civil WarLiteratureAncient historyArtLawPolitical sciencePhilosophyArchaeology
DOInot available

Abstract

fetched live from OpenAlex

This paper examines two British Romantic dramas written during the Greek War of Independence and its aftermath: George Burges’s The Son of Erin or the Cause of the Greeks (1823) and John Baldwin Buckstone’s The Maid of Athens; or, the Revolt of the Greeks (1829). The paper discusses the plays’ portrayals of transcultural interactions between Greeks and Europeans (Irish and British) and argues that the two dramas encourage audiences to see similarities between themselves and Greeks, while also critiquing British apathy toward the Greeks’ efforts to achieve liberation. Despite Burges’s and Buckstone’s shared support for the Greek war, however, an important difference between the two texts exists: while The Son of Erin maintains a relentless attack on the British government for aligning British politics with Ottoman policies and remaining indifferent toward the Greek war, The Maid of Athens suggests that Britons who take advantage of Greeks’ subjugation misrepresent Britain’s true feelings about the Greek War of Independence.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.567
Threshold uncertainty score0.260

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.236
Teacher spread0.223 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it