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Record W2960638122 · doi:10.1159/000500187

Detecting Foreign Accents in Song

2019· article· en· W2960638122 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenuePhonetica · 2019
Typearticle
Languageen
FieldPsychology
TopicPhonetics and Phonology Research
Canadian institutionsCarleton UniversityTransport Canada
Fundersnot available
KeywordsDuration (music)PronunciationStress (linguistics)LinguisticsActive listeningPsychologyPerceptionVowelSpeech recognitionVariation (astronomy)First languageIntonation (linguistics)CommunicationComputer scienceAcoustics

Abstract

fetched live from OpenAlex

This paper presents three experiments exploring the perception and production of accents in song. In a perception experiment, participants listened to passages sung and spoken by native and non-native speakers of English. The participants did better at identifying native speakers when listening to the spoken passages. Accents were also judged as more native-like in song than in speech. In addition, two production experiments compared the acoustic characteristics (pitch, duration, F1 and F2) of sung and spoken vowels, produced by native and non-native speakers of English. Both native and non-native speakers changed the pitch and duration of their vowels when singing; the vowel quality was not consistently shifted. Together, the results indicate that the melody imposed by the song impacts the suprasegmental properties of pronunciation whereas the segmental properties remain largely intact. Based on these results, we conclude that a main reason why accents are more difficult to detect in song than in speech is that the rhythm and melody imposed by the song mask intonational cues to accent.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.137
Threshold uncertainty score0.994

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0080.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.032
GPT teacher head0.350
Teacher spread0.319 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it