MétaCan
Menu
Back to cohort
Record W2974043943 · doi:10.18432/ari29466

Teaching Writing: Fragments of a Poet’s Credo

2019· article· en· W2974043943 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueArt/Research International A Transdisciplinary Journal · 2019
Typearticle
Languageen
FieldHealth Professions
TopicDigital Storytelling and Education
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsFeelingInterpretation (philosophy)DictionEtymologyGrammarPedagogySociologyPsychologyMathematics educationLinguisticsLiteratureArtPhilosophyPoetrySocial psychology

Abstract

fetched live from OpenAlex

Author’s abstract: I have been in school since I was four years old. Now, at the age of sixty-five, I look back on a long life spent in classrooms, as a learner and a school teacher and a professor of education, and I am filled with amazement that I have grown old! I was probably in my thirties before I began to understand how education always occurs in communities of teachers and learners who teach and learn from one another, who search and research together. As a beginning teacher, I wavered between feeling powerless and powerful. On the one hand, I assumed that I was in control in the classroom; I was the primary decision-maker. But, on the other hand, I typically expected educational experts to tell me what I should do. I depended on the stipulations of school administrators, the publications of professors, and the professional development workshops of school district consultants to guide, convince, and inspire me in my teaching. And, now that I’ve been a professor for a long time, I also know that professors don’t really know very much. They might profess a lot, but they know the searching is always in process, returning to the beginning of the search again and again in order to know the quests and the questions in lively other ways. As scholars, theorists, artists, and educators, we need to attend to language. We need to attend to etymology, diction, grammar, syntax, metaphors, and interpretation. All my life I have been enamoured with the necromancy of the alphabet, the magic of spelling, the alchemy of grammar, the mystery of books—the potent fecundity of language. I am always seeking connections to scholars who are committed to provoking scholarship with heartful and artful dedication. Editor’s Preface: With the permission of his family, we are honoured to publish posthumously “Teaching Writing: Fragments of a Poet’s Credo” by Carl Leggo. Carl submitted this piece to Art/Research International on January 28, 2019, only five and a half weeks before he passed from his physical being and life on Earth. Even as he “dwell[ed] daily in the space between living and dying” with cancer, Carl graciously offered earnest reflections about writing, poetry, and living well in the world: “fragments and suggestions from [his] credo …what [he has] given [his] heart to.” His wise words, always inspiring, are ever more precious now, a living reminder of the poet, teacher, and scholar he was and always will be to so many of his colleagues, friends, and students: thoughtful, erudite, generous, kind, courageous, vulnerable—and steadfastly hopeful. “Teaching Writing: Fragments of a Poet’s Credo” is rich ground to return to again and again: a succinct articulation of Carl’s ways of living poetically in the world, all threaded through with insights from some of his favourite authors. May “Teaching Writing” reverberate among Carl’s many poems, articles, and books—and more widely, among the writings of those who share his he(art)ful path in the academy. May these ever widening and deepening reverberations bring healing and benefit to many. - Susan Walsh, Ph.D.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.339
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0040.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.001
Open science0.0010.000
Research integrity0.0000.002
Insufficient payload (model declined to judge)0.0040.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.136
GPT teacher head0.514
Teacher spread0.377 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it