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Record W2983903179 · doi:10.3138/gsi.13.1.07

Cultural Responses to the Anfal and Halabja Massacres

2019· article· en· W2983903179 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueGenocide Studies International · 2019
Typearticle
Languageen
FieldSocial Sciences
TopicTurkey's Politics and Society
Canadian institutionsnot available
Fundersnot available
KeywordsTragedy (event)PoliticsPower (physics)Repetition (rhetorical device)Government (linguistics)Media studiesHistoryPolitical scienceLawSociologyLiteratureArtPhilosophyPhysics

Abstract

fetched live from OpenAlex

After the Anfal and Halabja massacres took place inside Kurdistan, Iraq, there was no place for immediate political reaction. For many years, culture took on the role of soothing the tremendous pain everybody was holding while hiding in fear of the Ba’ath regime. Songs were the first medium to represent the tragedy, as images were heavily controlled inside Iraq. Songs were distributed secretly at first, but later the government turned a blind eye to the distribution of many of the songs that were forbidden. After the Kurdish uprising of 1991, a political priority was the opening of the first Kurdish television station. From the very beginning, its programs featured images of both tragedies, which in turn became a permanent part of the station’s broadcasts. These images were so impactful that they were instrumental in the departure of the Saddam regime. Although these images shocked society, they lost their power and became routine from their constant repetition, enforcing public forgetfulness and deeply affecting the entire culture.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.667
Threshold uncertainty score0.365

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.401
Teacher spread0.356 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it