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Record W3040574603 · doi:10.16995/cg.198

Bleeding Panels, Leaking Forms: Reading the Abject in Emily Carroll’s Through the Woods (2014)

2020· article· en· W3040574603 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueThe Comics Grid Journal of Comics Scholarship · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicComics and Graphic Narratives
Canadian institutionsnot available
Fundersnot available
KeywordsNarrativeReading (process)FemininityMode (computer interface)ArtBleedHistoryAestheticsLiteratureVisual artsSociologyGender studiesPhilosophyLinguisticsComputer science

Abstract

fetched live from OpenAlex

Seeking to move beyond Scott McCloud’s spatio-temporal reading of the bleed (1993: 103), this article explores how Canadian writer/artist Emily Carroll’s graphic narrative <em>Through the Woods</em> (2014) employs the bleed as a means to give form to a mode of horror known as the ‘abject’. Employing theories of embodiment that excavate historical conflations of femininity and nature, in addition to socio-cultural discourses that figure the female body as more uncontrollable than the male, this article explores the anxieties experienced by Carroll’s adolescent protagonists as they traverse the boundary separating girlhood from womanhood. By paying particular attention to Carroll’s excessive use of bleeds, this article argues that the stylistic convention of the bleed is utilised to adumbrate and illustrate the abject horror of such boundary crossings.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.547
Threshold uncertainty score0.798

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0010.001
Open science0.0020.000
Research integrity0.0000.002
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.078
GPT teacher head0.272
Teacher spread0.194 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it