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Record W3217028601 · doi:10.1016/j.yjoc.2021.100010

Embodied creativity in the fine and performing arts

2021· article· en· W3217028601 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueJournal of Creativity · 2021
Typearticle
Languageen
FieldPsychology
TopicCreativity in Education and Neuroscience
Canadian institutionsUniversity of the Fraser Valley
Fundersnot available
KeywordsEmbodied cognitionCreativityThe artsVisual artsAestheticsArtComputer sciencePsychologyArtificial intelligenceSocial psychology

Abstract

fetched live from OpenAlex

Creativity studies has focused on creative thinking processes, problem-solving, and innovation, while the embodied dimensions of creativity have remained a tangential thread. In part, this is due to the challenge of running original, quantitative experiments in the embodied and performing arts. At a more paradigmatic level, it is also due to the valuing of cognition over embodiment that continues to structure academia and creativity studies. Not running counter to cognitive creativity, but interconnected with it, embodied creativity includes creative expressions and processes that emphasize or are generated by the physical body. It is a view of creativity that highlights physical responses within creative practice and is attentive to the influences of space, environment, materials, and the individual's relationships to other bodies. The fine and performing arts are exemplary places to study embodied creativity, and 4E cognition theory can assist in describing how and where embodied creativity exists. This article argues for embodied creativity as an important place of study that can move creativity studies toward decoloniality.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.140
Threshold uncertainty score0.576

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.071
GPT teacher head0.394
Teacher spread0.322 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it