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Record W325701345

Orlando and NATS

2012· article· en· W325701345 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueJournal of Singing · 2012
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsOperaSingingHistoryArt historyRepertoireArtManagementVisual artsLiterature
DOInot available

Abstract

fetched live from OpenAlex

ORLANDO. THE NAME ALONE brings images of delight to children of all ages. Legends abound regarding the source of the city's name. Was it taken from Orlando Reeves, a soldier who died in 1835 during the Second Seminole War? Or was it named after Orlando Savage Rees, a rancher originally from South Carolina? Others prefer the more recent story that the city was named after the character Orlando in William Shakespeare's As You Like It. Perhaps it was a lover of eighteenth century English opera and the town was an homage to G. F. Handel's opera seria by the same name. While the origins of the city's name remain in doubt, what is clear is that during the summer of 2012, Orlando will be a city of singing. On Friday, June 29, 2012, NATS members from across the country and around the world will gather at the Renaissance Orlando at SeaWorld for four days of inspirational workshops, master classes, lectures, panel discussions, breakout sessions, recitals, singing and learning, and camaraderie. Before the conference begins, your NATS Board of Directors will meet for two days to deal with the business of the Association. Then the real activity begins. In the days preceding the opening of the 52nd National Conference, the NATSAA Semifinals will be joined by the first ever NATS National Music Theater Competition Semifinals. On the morning of Friday, June 29, we will again offer two preconference workshops. Dr. Christopher Arneson will present a workshop designed to help you select appropriate repertoire for your students from a developmental perspective. The second workshop will feature Ryan Saab in the Ultimate Music Theater Audition Seminar. Ryan and a panel of experts will offer tips on how to prepare your students for university or professional music theater auditions. It will conclude with a series of mock auditions and feedback from the panel of Broadway experts. The 52nd National Conference will begin Friday afternoon with the Opening Ceremony and the singing of our national anthems (The Star Spangled Banner and O Canada) and, of course, An die Musik. Our first master class will feature renowned soprano Jane Eaglen, who will also serve as one of the judges for the NATSAA Finals. Following a brief refreshment break, we'll change pace with a discussion on Getting and Thriving and Surviving Your Theme Park Gig. The Grand Opening of Exhibits will occur at 5:30 pm and in keeping with tradition, the first day of the conference will close with the NATSAA Finals. You can count on a great start to our conference. Saturday will start off with Robert Swedburg and a wake-up session on Yoga for Performers. After a publisher's showcase you'll have to choose again between one of four breakout sessions. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.948
Threshold uncertainty score0.237

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.200
Teacher spread0.180 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it