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Record W4221092124 · doi:10.1016/j.physa.2022.127261

On the application of deep learning and multifractal techniques to classify emotions and instruments using Indian Classical Music

2022· article· en· W4221092124 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenuePhysica A Statistical Mechanics and its Applications · 2022
Typearticle
Languageen
FieldComputer Science
TopicMusic and Audio Processing
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsMultifractal systemArtificial intelligenceDeep learningPsychologyComputer scienceMathematics educationMathematicsFractalMathematical analysis

Abstract

fetched live from OpenAlex

Music is often considered as the language of emotions. The way it stimulates the emotional appraisal across people from different communities, culture and demographics has long been known and hence categorizing on the basis of emotions is indeed an intriguing basic research area. Indian Classical Music (ICM) is famous for its ambiguous nature, i.e. its ability to evoke a number of mixed emotions through only a single musical narration, and hence classifying evoked emotions from ICM becomes a more challenging task. With the rapid advancements in the field of Deep Learning , this Music Emotion Recognition (MER) task is becoming more and more relevant and robust, hence can be applied to one of the most challenging test case i.e. classifying emotions elicited from ICM. In this paper we present a new dataset called JUMusEmoDB which presently has 1600 audio clips (approximately 30 s each) where 400 clips each correspond to happy, sad, calm and anxiety emotional scales. The initial annotations and emotional classification of the database was done based on an emotional rating test (5-point Likert scale) performed by 100 participants. The clips have been taken from different conventional ‘ raga’ renditions played in two Indian stringed instruments – sitar and sarod by eminent maestros of ICM and digitized in 44.1 kHz frequency. The ragas , which are unique to ICM, are described as musical structures capable of inducing different moods or emotions. For supervised classification purposes, we have used Convolutional Neural Network (CNN) based architectures (resnet50, mobilenet v2.0, squeezenet v1.0 and a proposed ODE-Net) on corresponding music spectrograms of the 6400 sub-clips (where every clip was segmented into 4 sub-clips) which contain both time as well as frequency domain information. Along with emotion classification, instrument classification based response was also attempted on the same dataset using the CNN based architectures. In this context, a nonlinear technique, Multifractal Detrended Fluctuation Analysis (MFDFA) was also applied on the musical clips to classify them on the basis of complexity values extracted from the method. The initial classification accuracy obtained from the applied methods are quite inspiring and have been corroborated with ANOVA results to determine the statistical significance. This type of CNN based classification algorithm using a rich corpus of Indian Classical Music is unique even in the global perspective and can be replicated in other modalities of music also. The link to this newly developed dataset has been provided in the dataset description section of the paper. This dataset is still under development and we plan to include more data containing other emotional as well as instrumental entities into consideration.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Simulation or modeling · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.916
Threshold uncertainty score0.599

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.280
Teacher spread0.260 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it