Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Coriolanus resonated for a Jacobean London audience through performance, assuming it actually was performed in the early seventeenth century. This book focuses on the postwar-productions of the Shakespeare's play. It deals with the Laurence Olivier's 1959 version at the Shakespeare Memorial Theatre, the reconfiguration of Bertolt Brecht in the 1960s and early 1970s, and the Royal Shakespeare Company's staging of the play in 1972. Alan Howard won the 1978 London Theatre critics award for Best Actor, starred in successful Coriolanus remounts at Nottingham and London in 1978. The 1984-85 National Theatre's Coriolanus reveals the Shakespeare-plus-relevance ideology under strain from the factious political climate, and Peter Hall's outburst in 1985 was the result of years of stagnant arts funding from Margaret Thatcher's government. The book discusses goulash communism that characterized the mid-1980s Hungary and the staging of Coriolanus in Budapest by Gabor Szekely, and the 1988 theatrically radical presentation at the New York Shakespeare Festival. Coriolan embodies the competing influences that help define Robert Lepage's Shakespeare production, which overlapped the highly charged political events in Canada when Quebec voters turned down a proposal to negotiate sovereignty from the country. The new Globe theatre's Coriolanus in May 2006 was the inaugural production under the theatre's new artistic director, Dominic Dromgoole. This Coriolanus appeared to be designed to fulfil a set of expectations related to a certain image of Globe performance. Ralph Fiennes's film in 2011-12 made Coriolanus a failed action hero in denying him unambiguously heroic status.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.001 | 0.001 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.001 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it