MétaCan
Menu
Back to cohort
Record W4281480103 · doi:10.32920/ifmj.v2i2.1576

Monument Public Address System AR

2022· article· en· W4281480103 on OpenAlexvenueno aff
Meredith Drum

Bibliographic record

VenueInteractive Film and Media Journal · 2022
Typearticle
Languageen
FieldArts and Humanities
TopicAmerican Literature and Humor Studies
Canadian institutionsnot available
Fundersnot available
KeywordsPoliticsNarrativePublic spaceRelation (database)ColonialismMedia studiesVisual artsPublic historySociologyAestheticsPolitical scienceArtComputer scienceLawEngineeringLiterature

Abstract

fetched live from OpenAlex

Monument Public Address System AR is an interactive augmented reality (AR) documentary revolving around an expanding collection of audio interviews about the past, present, and future of confederate and colonial monuments across the United States. The interviewees include activists, scholars, students, planners, community organizers, and other artists. Some have discussed feelings of exclusion when they see confederate and colonial imagery. Others have evaluated the symbolic violence of the monuments in relation to ongoing racist systems. And others have described potential liberatory sculptural works as replacements. The main goal of the project is to engender thoughtful individual and collective experiences and to support critical and ongoing engagement with public memory and the political, social, and cultural processes responsible for public spaces. As Ana Lucia Araujo, historian and professor at Howard University, writes, “All monuments emerge and disappear because of political battles that take place in the public arena. Likewise, public memory is always political” (Lucia Araujo, 2020). In terms of a participant’s experience of the AR media, once they download and open Monument Public Address System AR on their mobile devices, they will discover 3D virtual objects and animations superimposed on the world around them. When they interact with these objects, short sections of the audio interviews are triggered and play. As they listen to the interviewee’s narratives, participants can explore the virtual animations in relation to the surrounding physical space. It is important to the author-artist that the app is accessible to as many people as possible. While the augmentations are geo-located, and the intention is for participants to circumnavigate confederate and colonial monuments – and the empty spaces where they once stood – while experiencing the AR, the app can be opened anywhere. Moreover, the app is mobile AR, released on both Google Play and the Apple App Store, so that it can be used on a large variety of hand-held devices. It is not dependent on expensive technology. As a cis-gendered middle-class white woman from the southeast of the United States, the author-artist recognizes that her perspective regarding the racist history carried by these monuments is limited. She has initiated the project as a way of discovering, and undoing, her blindspots. The author-artist sets out to support critical thinking about the future of public monuments and spark conversations on the history of slavery and racism in the United States. Monument Public Address System AR is offered as a platform for visual and aural expressions of frustration, anger, sadness, fear, and confusion regarding the racist, unjust and violent narratives that have shaped, and continue to shape, our present and future. It is also built for the enunciation of anti-racist hopes, activities and initiatives.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.203
Threshold uncertainty score0.678

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0020.001
Scholarly communication0.0040.002
Open science0.0010.003
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.2030.059

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.225
Teacher spread0.200 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

Explore more

Same venueInteractive Film and Media JournalSame topicAmerican Literature and Humor StudiesFrench-language works237,207