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Record W4313066913 · doi:10.6017/cs.v1i1.11771

EL FUTURO DE LA JUVENTUD DE EL FUTURO, DE LUIS LÓPEZ CARRASCO

2019· article· en· W4313066913 on OpenAlexaboutno aff
Pedro Cabello del Moral

Bibliographic record

VenueConSecuencias · 2019
Typearticle
Languageen
FieldArts and Humanities
TopicSpanish Culture and Identity
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesPoliticsContext (archaeology)Movie theaterSociologyPolitical scienceArtArt historyHistoryLaw

Abstract

fetched live from OpenAlex

This article intervenes in the fields of cultural studies and Spanish film studies drawing significantly from the cultural analysis recently undertaken by Luis Moreno-Caballud and Germán Labrador about the relation between two Spanish historical moments: the Transition period and the economic crisis. To this end, the article analyzes the film, El futuro (Luis López Carrasco, 2013), which bridges the two historical periods through a portrayal of youth culture. From the point of view of cultural studies, this article places El Futuro in conversation with the critical discourse about the Culture of the Transition (CT) heralded by the 15M movement. It centers on the concept of youth without a future, an idea that travels retrospectively through López Carrasco’s narrative to the generation of la movida, whose emancipatory political horizon was frustrated by its political-economic context. Applying film studies tools, this article critiques the dominant theorization of Other Spanish Cinema. Where this label, applied to films like El Futuro, typically implies a focus on aesthetics, this article explores their political dimension and places both Luis López Carrasco and the Los Hijos Collective (to which Carrasco belongs) within an avante-gardist lineage. Resumen El presente artículo propone intervenciones en los estudios culturales y los estudios fílmicos españoles bebiendo fundamentalmente de los análisis culturales recientes de Luis Moreno-Caballud y de Germán Labrador sobre los periodos de la Transición y la crisis económica en España. Para ello, el texto se detiene en la película El futuro (Luis López Carrasco, 2013), la cual permite articular un puente entre los dos periodos históricos a partir de la narración de una fiesta que ilustra un retrato generacional de la juventud. Desde el punto de vista de los estudios culturales, se relaciona la cinta de López Carrasco con el discurso crítico sobre la Cultura de la Transición (CT) enarbolado por el movimiento 15M. A este respecto, el artículo se centra en el concepto de juventud sin futuro, una idea que viaja retrospectivamente de la mano de López Carrasco hasta la generación de la movida en relación a su potencial emancipador frustrado por el contexto político-económico. Aplicando herramientas de los estudios fílmicos, este texto critica el proceso de teorización del Otro cine español, etiqueta que se aplicó a películas como El futuro, puesto que se centra mayoritariamente en aspectos estéticos, dejando de lado la dimensión política que tradicionalmente han tenido las intervenciones del cine de vanguardia, al que se adscriben tanto Luis López Carrasco como el colectivo Los Hijos (del cual forma parte el director).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.040
Threshold uncertainty score0.080

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0040.003
Scholarly communication0.0030.002
Open science0.0000.001
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.010
GPT teacher head0.244
Teacher spread0.234 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2019
Admission routes1
Has abstractyes

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