Immersive Multi-Screen Journalistic Narratives
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
To build representations and meanings, telejournalism in the context of transmediation has relied on the interrelation of different languages, adapting itself according to the emergence of resources and interfaces. In this context, one can cite the exploration of 360-degree audiovisual narratives, an emerging image modality used by the press as a mechanism to bring spectators closer to events. In Brazil, 360-degree journalistic productions made by communication companies, in general, go beyond the television space and are also explored in virtual social networks and websites to instigate the participation of the enunciatee through access to interactivity resources. The present investigation focuses on this articulation process between TV and the Internet, intending to point out reflections on the language of 360-degree audiovisual content in journalism, proposing to analyze discursive strategies and technical specificities of productions disseminated through television support and the online environment. To this end, the series of 360-degree reports “O Vírus na Favela” was examined, launched in 2020 by the program Balanço Geral RJ (Record TV Rio - Brazil) and which sought to portray challenges faced by residents of communities in Rio de Janeiro during the COVID-19 pandemic. This exploratory study is guided by a methodological path formed by a bibliographic survey, based on discussions such as telejournalism, interactivity and 360-degree narratives, and on the analysis of the corpus based on three principles of French semiotics presented by Barros (2005, 85): “narrative syntax,” “discursive syntax” and “discursive semantics.” In addition, the semiotic analysis method for 360-degree films developed by Moreira (2020) was applied. In conclusion, it can be recognized that the analyzed series evidences the enunciators' search to follow the contemporary trend of telling stories in more than one media support, as well as creating interactivity with the viewer. Also, it was observed that TV productions have a hybrid proposal based on several languages, such as graphic elements, conventional videos and 360-degree videos. On the other hand, web content, in part, is configured as interactive versions of 360-degree videos shown on TV. Such evidence may signify that television content producers see this image as an accessory innovation in the composition of traditional reports.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.003 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.003 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it