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Record W4323789079 · doi:10.33137/ic.v25i.39742

Space and Identity in the Works of Nino Ricci

2022· article· en· W4323789079 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueItalian Canadiana · 2022
Typearticle
Languageen
FieldPhysics and Astronomy
TopicHistorical Astronomy and Related Studies
Canadian institutionsnot available
Fundersnot available
KeywordsSpace (punctuation)Identity (music)GeologyClimatologyLinguisticsPhilosophyAesthetics

Abstract

fetched live from OpenAlex

The macrotext represented by the works of Nino Ricci is of particular interest especially because it allows a reflection on several aspects in the life of Italian immigrants to Canada.While other authors focus solely on the impact that a different environment has on newcomers, Ricci is also concerned with both the recollection of the life of immigrants before they left their country of origin and the representation of what happens when they eventually return to their motherland.This complete coverage of the migratory experience is narrated in Ricci's trilogy of fictional biography, which tells the story of Vittorio Innocente and is made of Lives of the Saints (1990), In a Glass House (1993) and Where She Has Gone (1997).In addition, this trilogy is naturally to be connected with the collection of essays and memoirs that Ricci published in 2003 with the title Roots and Frontiers.In this part of his production Ricci establishes a connection between space, in the form of a house, a neighborhood, or an entire city, and the identity of an individual.It is my intention to discuss here how space affects the lives of those Italian-Canadians depicted in the works of Ricci and, more specifically, the characterization of Vittorio Innocente.I aim to analyze how this topic reflects precise narrative choices, at the same time addressing the pivotal opposition between public and private space, in the attempt to understand how space contributes to the shaping of the identity of an immigrant.Because of the role played by foreigners in the construction of some of the most important landmarks in the city of Toronto, it is necessary to consider the dual relationship between two entities influencing each other, rather than the one-directional, more typical element of influence that a big city has on newcomers.The choice of this topic will bring me to focus more specifically on In a Glass House and Where She Has Gone, since these are the novels in which Vittorio actually experiences the physical impact with the Canadian landscape.Yet, in order to have a precise understanding of what happens in each single novel, it is necessary to refer to the entire macrotext, at the same time realizing how deeply rooted in recorded history these works of fiction are.! The The relationship between Ricci's trilogy and recorded history becomes even more evident if we consider that Vittorio's father, Mario Innocente, moves to Canada in 1956.According to Codignola and Bruti Liberati, during that year

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.699
Threshold uncertainty score0.972

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.006
GPT teacher head0.214
Teacher spread0.208 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it