Thanatographical fiction: Death, mourning and ritual in contemporary literature and film
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
In recent years, many authors around the world have taken on the difficult task of commemorating the unmourned dead caused by wars, terrorism or structural violence, or of giving them a literary burial. Their fictions, which I will call thanatographical fiction in the following, play a central role for the collective imaginary in that they provide an archive of knowledge on how violent death and grief are processed. The study of a comparative corpus shows that there is a transcultural and transmedial poetics of grief that serves to frame and channel emotions, to give them a form that allows access to them without sparking further excess. What I aim to demonstrate is that the common grounds of fictions from such diverse places as France, Québec, Senegal and Ukraine are that they can illustrate processes of the economy of emotions: in order to address the subject of violent death, they have to resort to different strategies of emotion control. By modulating emotions, texts and films influence both the regulation of grief and commemoration on one hand, and on the other, the reinforcement of collective identities. They can thus provide an instrument for reflecting on the interaction of grief and violence to gain a better understanding of it. I will thus analyse Wajdi Mouawad’s tetralogy of plays Le sang des promesses , Mohamed Mbougar Sarr’s novel De purs hommes , Valentyn Vasyanovych’s film Atlantis and Julie Ruocco’s novel Furies to elaborate a first draft of a thanatographical poetics of grief.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it