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Record W4388267278 · doi:10.12697/bjah.2021.21.03

Colour in Church Interiors, Medieval and Beyond

2021· article· en· W4388267278 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueBaltic Journal of Art History · 2021
Typearticle
Languageen
FieldArts and Humanities
TopicMedieval European History and Architecture
Canadian institutionsnot available
Fundersnot available
KeywordsMiddle AgesEstonianPolychromePaintingQuarter (Canadian coin)Medieval artArtMedieval studiesHistoryPeriod (music)Ancient historyArchaeologyVisual artsAestheticsPhilosophy

Abstract

fetched live from OpenAlex

Recent studies of churches of medieval origin in Estonia have shownthat these edifices have long histories of polychrome decorationboth before and after the Reformation. In this article, some aspectsof these colour schemes are discussed. Firstly, the question of thedecoration and redecoration of interiors during the Middle Ages isaddressed, secondly the authorship and technique of vernacularlookingmurals is discussed, and thirdly the geographical spreadof these decorations is analysed. In addition, post-medieval muralsare also examined.This article is based on fieldwork in Estonian medieval churchesconducted over a period of fifteen years by the staff and studentsof the Department of Conservation and Cultural Heritage at theEstonian Academy of Arts. Here mainly the results of work in thechurches at Koeru, Keila and Järva-Jaani is presented. Some otherchurches are also discussed for comparison.So far, medieval painted decoration has been found in around25 church interiors on the territory of present-day Estonia, i.e. inroughly a quarter of the medieval churches. Although the numberis not large, the finds allow us to draw some conclusions regardingthe spread of and networks behind these paintings.We can claim that as elsewhere in medieval (northern) Europe,medieval church interiors included at least some kind of painteddecoration. It seems likely that the first (and possibly in many casesthe only) colour scheme was provided by the builders. Especiallyin rural parishes, where no specialised guilds existed, it mighthave been difficult to employ professional painters, although notimpossible. Almost certainly the decoration was applied at the timeof plastering, when the mortar had not yet set and the scaffoldingwas still available.Historical records, surviving artworks and investigated interiorsdemonstrate that after the Reformation the Lutherans were less radical in transforming churches than were other Protestants: severalCatholic altar retables and statues were preserved, side altars werenot removed, etc. The churches were usually decorated with new,more modern murals and only whitewashed in many cases severalcenturies later.Gradually, church interiors became more monochrome, althoughnot necessarily white, something that has been associated with thespread of Pietistic ideas in the Lutheran church. However, the late 19thcentury brought a revival of colour to at least some churches. Thesecolourful, mainly Gothic revival interiors survived for only a shorttime and disappeared again when they were painted over everywhere.For example, in St Lawrence’s in Kuusalu, wall paintings dating fromthe period of the Gothic revival renovation of the medieval church(1899) were found and uncovered in 2021.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.355
Threshold uncertainty score0.997

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.203
Teacher spread0.182 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it