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Record W4392195443 · doi:10.3898/as.32.1.01

Early Cronenberg and the Anarchist-Apocalypse

2024· article· en· W4392195443 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueAnarchist studies · 2024
Typearticle
Languageen
FieldSocial Sciences
TopicAnarchism and Radical Politics
Canadian institutionsnot available
Fundersnot available
KeywordsCriminologyCommunicationSociologyArt

Abstract

fetched live from OpenAlex

The anarchistic and apocalyptic vein in Canadian cinema, and even in the larger context of Canadian art in general, takes a particular turn with the films of David Cronenberg. Such early Cronenberg films as Shivers (1975) and Rabid (1977) betray an almost prurient desire for the destruction of bourgeois social harmony and the annihilation of patriarchal social relations in the context of apocalypse. Even Cronenberg's earliest experimental films such as Stereo (1969) and Crimes of the Future (1970) make use of post-apocalyptic settings in building towards his more explicitly apocalyptic early commercial films to explore what might be identified as specifically anarchist social considerations. However, while the themes of anarchism and apocalypse permeate almost all of Cronenberg's works, these are almost universally overlooked in favour of traditional analyses of his 'Canadian weirdness' or his unique brand of body horror. This article looks back to the origins of Cronenberg's avant-garde anarchist-apocalyptic sensibilities to begin to recover their recognition in scholarship.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesScience and technology studies
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.709
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0020.012
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.377
Teacher spread0.343 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it