Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Worship in Spirit and in Truth Neil J. Roy Footnotes 1. Preamble, General Instruction of the Roman Missal, Liturgy Documentary Series 2 (Washington DC: United States Conference of Catholic Bishops, 2003); see Second Vatican Council, Constitution on the Sacred Liturgy Sacrosanctum concilium (4 December 1963) [henceforth SC] 11: "Ideo sacris pastoribus advigilandum est ut in actione liturgica non solum observentur leges ad validam et licitam celebrationem, sed ut fideles scienter, actuose et fructuose eandem participent"; "Therefore the sacred pastors are to see to it that in the liturgical action not only are the laws for a valid and licit celebration to be observed, but also that the faithful participate in them with knowledge, with real involvement, and with fruitfulness" (translation mine). 2. See SC 28: "During liturgical celebration, everyone, whether minister or in the congregation, should, while carrying out their own role, do all that and only that which is their due – this being determined by the nature of the celebration and by liturgical norms," trans. Norman P. Tanner, Decrees of the Ecumenical Councils, vol. 2 (Washington DC: Georgetown University Press, 1990) 826. 3. A cursory glance at several successive Canadian hymnals spanning three decades reveals that by the second half of the twentieth century, Faber was losing his appeal among compilers of Catholic hymnbooks. The St Basil's Hymnal (Toronto: Basilian Press, 1953), comprising some 270 hymns plus several settings for Mass, Vespers, and Forty Hours, contains 30 hymns written by Faber. Jubilee Hymns and Parish Worship (Toronto: Cathedral Schola Editions, 1963), compiled a decade later by John Edward Ronan with a repertory of 107 hymns plus Mass settings, contains eight hymns by Faber. The Catholic Book of Worship, edited by the National Council for Liturgy (Ottawa: Canadian Catholic Conference and Toronto: Gordon V. Thompson, 1972) [henceforth CBW] retains only one of Faber's hymns: "Faith of Our Fathers" (392). Lest it be surmised that perhaps exclusively ecumenical considerations led to the loss of so many of Faber's hymns, it is worth noting that the CBW's contemporary, The Hymn Book of the Anglican Church of Canada and the United Church of Canada, compiled by a joint committee of representatives from both denominations (Toronto: Southam Murray, 1971, reprinted with corrections 1972), includes four hymns by Faber: "There's a Wideness in God's Mercy" (76); "Faith of Our Fathers" (187), although without the lines of verse 3: "Faith of our Fathers! Mary's prayers / Shall keep our country fast to thee"; "O Come and Mourn with Me a While" (458); and "Have Mercy on Us" (487). By 1972, then, at least in Canada, one stood a better chance of hearing Faber's hymns during Anglican and United Church services than in a Catholic Mass. 4. CBW 374, verse 3. 5. See CCC 813–22, especially 817, 819, and 820. 6. "Amazing Grace!" in Worship: A Complete Hymnal and Mass Book for Parishes, prepared by the Gregorian Institute of America Hymnal Committee, gen. ed. Robert J. Batastini (Chicago: G.I.A., 1971) 122. The copyright printed on the page reads: "1970 G.I.A. Publications, Inc." It may be of interest to readers that "Amazing Grace" appears in neither of the following broadly Protestant hymnals: The English Hymnal with Tunes, ed. Percy Dearmer, Ralph Vaughan Williams, et al. (Oxford: Oxford University Press and London: Henry Frowde, 1906), and The BBC Hymn Book with Music (London: University Press, 1951). It now appears, however, in the following three randomly selected Catholic hymnals: Worship: A Hymnal and Service Book for Roman Catholics, 3rd ed. (Chicago: GIA, 1986) 583; The Collegeville Hymnal, ed. Edward J. McKenna (Collegeville MN: Liturgical Press, 1990) 447; The Catholic Hymn Book, harmony edition, compiled and edited by The London Oratory (Leominster: Gracewing, 1998) 203. It may be wondered what Father Faber himself would have thought of the inclusion of "Amazing Grace" in the third collection. 7. In Worship: A Complete Hymnal, 122. 8. SC 121: "Textus cantui sacro destinati catholicae doctrinae sint conformes, immo ex sacris scripturis et fontibus liturgicis potissimum hauriantur," trans. Tanner, 841. "Amazing Grace" appears in The Liturgy of the Hours, vol. 1 (New York: Catholic Book, 1975) 1415, as one of two hymns...
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Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it