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Record W7024176244

re:mote regina :: tom mulcaire

2005· other· en· W7024176244 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueBulletin of Miscellaneous Information (Royal Gardens Kew) · 2005
Typeother
Languageen
FieldComputer Science
TopicMultimodal Machine Learning Applications
Canadian institutionsnot available
Fundersnot available
KeywordsExhibitionPresentation (obstetrics)The artsCapePerformance artWork (physics)
DOInot available

Abstract

fetched live from OpenAlex

Tom Mulcaires presentation via Skype to the re:mote regina symposium about Skintstream. http://www.soilmedia.org/remote Thomas Mulcaire (Cape Town, South Africa) Thomas Mulcaire co-ordinated the exhibition components of the inaugural Johannesburg Biennale in 1995 and was a member of the artistic direction of documenta X in Kassel in 1997. In 1999 he founded the Institute for Contemporary Art in Cape Town. Within the framework of the ICA Cape Town, he has produced projects with Steve McQueen (2000), Peter Friedl (2002), Ângela Ferreira (2003) and radioqualia (2003). Mulcaires work often takes the form of collaborations or structural interventions and his projects include Odradek (1998) at the Centre for Curatorial Studies in New York, The Trial of Pol Pot (with Philippe Parreno and Liam Gillick) at Le Magasin in Grenoble in 1998, Johnny (with Craigie Horsfield) at the Palais des Beaux Arts in Brussels in 2000 and Library of Congress (with Joseph Kpobly) at the South African National Gallery in 2003. His work has been exhibited on the 1998 São Paulo Bienal, Ars Electronica in Linz in 2002 and the 2004 Sydney Biennale. He is currently working with Marko Peljhan on the establishment of a trans-national research station for artists and scientists in Antarctica. re:mote re:mote regina is an experimental symposium and international net-based festival that links new media practitioners and theorists from diverse areas through a mixture of live and online presentations. re:mote: regina is the second in a series of one-day experimental festivals, bringing together new media art practitioners and theorists from Europe, Canada, South Africa, and New Zealand to discuss the theme of remoteness and technology. re:mote: regina will feature on-site, online presentations analysing the way that digital technologies can augment collaborations across geographical and cultural distance. Artists and commentators from Nice, Auckland, London, Vancouver, and Toronto will presentation their work via live video stream to an audience in Regina. Local artists from Regina will also present their work. re:mote is to be an ongoing series of events, which will take place at locations around the world. re:mote: auckland was the global premiere of this series. re:mote explores questions like: what does it mean to be remote in an electronic art world? Are there 'centres' and 'peripheries' within a world increasingly bridged, criss-crossed and mapped by digital technologies? Can technologically mediated communication ever substitute for face-to-face dialogue? Is geographical isolation a factor in contemporary art production? Is remote a relative concept?

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.092
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.1220.030

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.006
GPT teacher head0.202
Teacher spread0.196 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it