MétaCan
Menu
Back to cohort
Record W7094457913

Musical Recordings

2009· article· W7094457913 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueDigital Commons - Trinity University (Trinity University) · 2009
Typearticle
Language
FieldBusiness, Management and Accounting
TopicManagement Theory and Practice
Canadian institutionsTrinity College
Fundersnot available
KeywordsMusicalBroadcasting (networking)Bit (key)Popular musicKey (lock)
DOInot available

Abstract

fetched live from OpenAlex

Over the course of the twentieth century, there was a major shift in the way that audiences experienced music. The advent of broadcasting and recording technology brought a sea-change in the standard situation in which music was heard. Where, before, music was rarely heard in the absence of musicians producing it live, now one could listen in one’s living room to a performance that was actually going on thousands of miles away, or, stranger still, one that was already finished, and one could listen to the latter kind over and over again. Musicians and theorists had quite a bit to say about this shift. Generalizing somewhat, people tended to divide into two camps. On the one hand were those who were enthusiastically for recordings, arguing that they were a new tool for musicians of all sorts to both create new kinds of musical objects, and record and disseminate traditional performances. On the other hand were those who thought that recordings were a mixed blessing. While few condemned recordings outright, detractors expressed various kinds of concern about them, from the indirect effects they might have on live performance to their ambiguous status as somehow performance-like, yet also a quite different kind of thing.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Scholarly communication, Insufficient payload (model declined to judge)
Consensus categoriesScholarly communication, Insufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.941
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.002
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0030.006
Science and technology studies0.0030.001
Scholarly communication0.0020.018
Open science0.0030.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0020.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.023
GPT teacher head0.194
Teacher spread0.172 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it