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Record W7147292004 · doi:10.1017/s0028688525000165

The Alexamenos <i>Graffito</i> as Christian Self-Parody

2025· article· en· W7147292004 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueNew Testament Studies · 2025
Typearticle
Languageen
FieldSocial Sciences
TopicPublic Spaces through Art
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsScholarshipChristian IdentityConversationSolidarityReading (process)Identity (music)Early ChristianityRelevance (law)Order (exchange)

Abstract

fetched live from OpenAlex

Abstract Against the near-universal consensus that it was created by a pagan (non-Christian) in order to satirise Christian worship, this article contends that the Alexamenos graffito can plausibly be read as a Christian self-parody, created by the enslaved Alexamenos himself. It is the first full-length treatment of the authorial origins of the Alexamenos graffito . The article first provides an overview of the visual and scholarly histories of the image since the nineteenth century. Then it addresses evidence for and against reading the text as non-Christian or Christian in origin, focusing on the apparent sexualisation of Jesus, early Christian receptions of satirical depictions of Jesus, the graffito’s use of a titulus , the solidarity of the image with enslaved workers and the relevance of nearby Christian graffiti . Finally, it places the graffito in conversation with ancient self-parody practices from wider Greek, Roman and Christian sources. While it is impossible to argue definitively about the identity of the graffito’s creator, this article contends that scholarship cannot exclude the possibility and potential likelihood that it may be Christian in origin.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.743
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0020.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.388
Teacher spread0.363 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it