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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Canadian Theatre Review
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,909 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,909 works in the cohort · of 4,299,418page 29 of 39

Labels cover 0 of 1,909 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,909 of 1,909 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueno affno abstractunlabeled
VIEWS AND REVIEWS
2015· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Views and Reviews
2015· article· en· Canadian Theatre Review· Engineering
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
The Edge Project: Good to Go
Monica Prendergast
2013· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
The Experience of Imaginary Ordinary
Andrew Houston
2011· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Where Is Theatre Going?
Laura Levin, EmmaRose MacDonald
2015· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Bug Spray Buddies
Milton Lim, Joyce Rosario
2017· article· en· Canadian Theatre Review· Agricultural and Biological Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Artists and Communities
Julie Salverson
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Theatre of the Bush
Sarah Higgins
2017· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Money, Money: Is Theatre a Rich Man's Game?
Robin Breon
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Bloody Sunday
Lauren Jackson, Stephanie Russell, Sean Ogle, Ruth Goodwin, Austin Schaeffer
2011· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Medicine Boy
Waawaate Fobister
2021· article· en· Canadian Theatre Review· Health Professions
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Editorial
Marlis Schweitzer
2010· editorial· en· Canadian Theatre Review
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Artistic Fraud’s <i>The Other Side of This</i>
Michael Crummey, Patrick Foran
2021· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Ana’s Shadow
Tara Goldstein
2012· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Editorial: <i>(pause)</i> A Pandemic Time Capsule
N Suárez Álvarez, Heather Davis-Fisch, Barry Freeman
2021· editorial· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affno abstractunlabeled
Montreal in Carte Blanche, 1974
Gabrielle Houle
2024· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Preface to Fix
Alex Bulmer
2015· article· en· Canadian Theatre Review
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Facilitation
2017· article· en· Canadian Theatre Review
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
Memory
Pil Hansen, Bruce Barton
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
From Here
Keith Barker
2017· article· en· Canadian Theatre Review
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Creation Practices in Participatory Performance
Mariah Horner, Jenn Stephenson
2024· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
A New Day Has Dawned
Carol Greyeyes
2025· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Swimmer (68)
Ker Wells, Bruce Barton
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
The Cost of Entry Is a Heartbeat
Ana Amorós López, Salima Punjani
2022· article· en· Canadian Theatre Review· Economics, Econometrics and Finance
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Editorial: Sustaining This Stage
Jenn Cole, Thalía González Kane
2023· editorial· en· Canadian Theatre Review· Health Professions
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
O’kosi
Michelle Thrush, Caleigh Crow, Neil Fleming, Alanna Blue Bird
2025· article· en· Canadian Theatre Review
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Hīkoi—It Will be Solved by Walking
David Geary
2025· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Wildness in Actor Training
Cara Pifko, Stephen Atkins
2025· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About