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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Art, Politics, and Modernism
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,256 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,256 works in the cohort · of 4,299,418page 5 of 26

Labels cover 2 of 1,256 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,256 of 1,256 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

aboutno affno abstractunlabeled
Picasso, érotique : Galerie nationale du Jeu de Paume, Paris 19 février - 20 mai 2001. Musée des Beaux-Arts, Montréal 14 juin - 16 septembre 2001. Museu Picasso, Barcelone 15 octobre 2001 - 27 janvier 2002
Réunion des musées nationaux, Pablo Picasso
2001· book· fr· Réunion des musées nationaux eBooks· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+scholarly_communication+research_integrity+insufficient_payloadconsensus · metaepi_narrow+sts+insufficient_payload
0
citations
venueno affno abstractunlabeled
Lynda Osbourne: Ornamenta
Sarindar Dhaliwal
2009· article· en· Espace Sculpture· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affno abstractunlabeled
Le commentaire d’art à l’école de l’oeuvre de Louise Robert. Louise Robert Galerie Simon Biais 5420, boul. Saint-Laurent, bureau 100 Montréal Du 26 janvier au 5 mars 2005 Louise Robert Galerie Simon Biais 5420, boul. Saint-Laurent, bureau 100 Montréal Du 26 janvier au 5 mars 2005
Jean-Émile Verdier
2005· article· fr· Vie des arts· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+scholarly_communication+research_integrity+insufficient_payloadconsensus · metaepi_narrow+sts+research_integrity+insufficient_payload
0
citations
aboutno affunlabeled
JASON DE HAAN.
Gabrielle Moser
2014· article· nl· Dialnet (Universidad de la Rioja)· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
fundno affunlabeled
Chandigarh University
2020· book-chapter· en· Palgrave Macmillan UK eBooks· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
aboutno affno abstractunlabeled
Flux/Reflux : Lorsque le lieu se réfléchit comme paysageChantal duPont (Montréal) et Madelon Hooykaas/Elsa Stansfield (Amsterdam), After Image / After Language, Parc La Fontaine et Galerie La Centrale, Montréal, 01 au 17 septembre 2006Chantal duPont (Montréal) et Madelon Hooykaas/Elsa Stansfield (Amsterdam), After Image / After Language, Parc La Fontaine et Galerie La Centrale, Montréal, 01 au 17 septembre 2006
Marie-France Giraudon
2007· article· fr· ETC· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+scholarly_communication+research_integrity+insufficient_payloadconsensus · metaepi_narrow+research_integrity
0
citations
venueno affno abstractunlabeled
About the Artist
The Editors
2016· article· en· Canadian Journal of Academic Librarianship· Arts and Humanities
distilled prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affno abstractunlabeled
From N. E. Thing Co. to Gold, Silver & Lead. Iain Baxter, N.E. Thing Co., Art Gallery of Ontario, Toronto. Jed Lind, Gold, Silver and Lead, Toronto Sculpture GardenIain Baxter, N.E. Thing Co., Art Gallery of Ontario, TorontoJed Lind, Gold, Silver and Lead, Toronto Sculpture Garden
John K. Grande
2013· article· en· Espace Sculpture· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+scholarly_communication+research_integrity+insufficient_payloadconsensus · metaepi_narrow
0
citations
aboutno affno abstractunlabeled
Szklane schody w Toronto
M. Kozłowski
2010· article· pl· Świat Szkła· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · insufficient_payload
0
citations
affunlabeled
Femininity, Time and Feminist Art
Magdalena Olszanowski
2015· article· en· Feminist Media Studies· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+insufficient_payloadconsensus · none
0
citations
aboutno affno abstractunlabeled
Neutralité matérielle, répétition gestuelle et appropriation du spectateur : Pile de Carl André. Carl André, Pile, 1977; Galerie Leonard et Bina Ellen, M 3x3 Flavin, Andre, Judd, Montréal. 14 janvier - 19 février 2005Carl André, Pile, 1977; Galerie Leonard et Bina Ellen, M 3x3 Flavin, Andre, Judd, Montréal. 14 janvier - 19 février 2005
Élisabeth Recurt
2005· article· fr· ETC· Arts and Humanities
distilled prediction:candidate · metaepi_narrow+sts+scholarly_communication+research_integrity+insufficient_payloadconsensus · metaepi_narrow+research_integrity+insufficient_payload
0
citations
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