A Midsummer Night's Dream: Presented by the Stratford Festival of Canada at the Festival Theatre, Stratford, Ontario
Notice bibliographique
Résumé
A Midsummer Night's Dream Presented by Stratford Festival of Canada at Festival Theatre, Stratford, Ontario. May 4-October 31, 2004. Directed by Leon Rubin. Choreography by Donna Feore. Designed by John Pennoyer. Lighting by Michael J. Whitfield. Music composed by Bruce Gaston. Circus instruction by Anais Guimond. Sound by Jim Neil. With Jonathan Goad (Theseus, Oberon), Dana Green (Hippolyta, Titania), Michelle Giroux (Helena), Nazneen Contractor (Hermia), Jeffrey Wetsch (Lysander), Haysam Kadri (Demetrius), Nicholas Van Burek (Puck), Thorn Marriott (Bottom), Donald Carrier (Quince), Brendan Averett (Flute), Robert King (Snug), Shane Carry (Starveling), Anthony Malarky (Snout), Adrienne Gould (First Fairy), Brad Rudy (Egeus), and others. The perennial challenge of A Midsummer Night's Dream is to create a world in which four plot strands make sense. After their brilliant solution to much more challenging Pericles in 2003, director Leon Rubin and designer John Pennoyer should have had no difficulty finding a concept to house courtiers, fairies, lovers, and artisans; but lovers and artisans seemed initially to belong to a different concept. Warm light and armed guards in berets identified opening location as a capital city in a Latin American paramilitary regime. A kaleidoscope of colored lights suggesting sunlight filtered through dense foliage, along with a rich soundscape of pipe music and bird calls, relocated wood to an Amazonian rainforest populated by paint-daubed native creatures (Pennoyer, program notes). With Quince-like literalism, Rubin changed Athens to the city, and to civilian or human, with unhappy metrical consequences. Yet Rubin also tested imagination by asking one to fit lovers and rude mechanicals into this world. An opening tango established sexual tension and mutual attraction between Theseus and As is now conventional, Hippolyta, silently taking Hermia's part, walked out in a huff when Theseus commanded her to Come, my Hippolyta. She was still annoyed with Theseus in 4.1, delivering hounds of Sparta passage as a rebuke. With Jonathan Goad and Dana Green doubling lead roles in Athenian and fairy courts, Titania and Oberon picked up fight that Theseus and Hippolyta had begun. The static blocking of 2.1 emphasized emotional distance between Fairy King and Queen: while Titania took moral high ground on jungle platform, Oberon balanced precariously on handrail of stage-left vomitorium. Athleticism was hallmark of fairy world. Puck spent much of his stage time hanging from or climbing up and down stylized iron vines on a three-level jungle platform, with effect that his role was relegated to background. To cover awkward transition in 4.1 when Goad and Green had to make a quick change into hunting garb, fairies celebrated reconciliation of Oberon and Titania with a dance using trapezes and bungees suspended from crown of Festival Theatre's ceiling to exploit full height of stage space. The dance was spectacular rather than thematic, paying homage not to Peter Brook but to Cirque du Soleil, where productions circus instructor Anais Guimond was trained. …
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Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,018 | 0,002 |
| Communication savante | 0,004 | 0,001 |
| Science ouverte | 0,001 | 0,004 |
| Intégrité de la recherche | 0,002 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,113 | 0,010 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».