Notice bibliographique
Résumé
An AIDS Quilt Songbook: Sing for Hope. Nicole Cabell, Adrienne Danrich, Melody Moore, Susanna Phillips, Monica Yunus, Camille Zamora, soprano; Jamie Barton, Sasha Cooke, Joyce DiDonato, Isabel Leonard, mezzo soprano; Anthony Dean Griffey, Sean Pannikar, Matthew Polenzani, Michael Slattery, Noah Stewart, tenor; Lester Lynch, Daniel Okulitch. Keith Phares, Randall Scarlata, baritone; Yo-Yo Ma, cello; Anthony McGill, clarinet; Thomas Bagwell, Scott Gendel, Ricky Ian Gordon, Fred Hersch, Gregg Kallor, Lori Laitman, Kenneth Merrill, John Musto, Cristina Pato, Glen Roven, piano. (GPR 12014; 77:34)Kevin Oldham: Across the Sea. Robert Chesley: Autumn. Ricky Ian Gordon: Run Away. Fred Hersch: Ordinary. Herschel Garfein: Giggly Time. Mary Carol Warwick: Hold My Hand. Eric Reda: ATRIPLA! Drew Hemenger: Her Final Show. Gilda Lyons: Hold On. Cristina Pato: Morning Lullaby. Robert Aldridge: Away, but not far away. Glen Roven: Retro. Paola Prestini: Union. Kamal Sankaram: Far Shore. John Musto: Litany. Siegfried Sassoon: Everyone Sang. Gregg Kallor: One Child. Tania Leon: Zero Plus Anything. Carol Barnett: Let It Go. Lori Laitman: If I... Scott Gendel: At Last.The scourge of AIDS may not garner the headlines that it once did, especially in America, but this merciless killer is still inflicting widespread suffering and fear. Ironically, it also continues to inspire an impressive outpouring of artistic expression that gives voice to the experience of its victims and to the tenacity of those who are battling it. No other epidemics, including those more massive in scale, have garnered such a treasure trove of new musical and theatrical works. Then again, one of the hallmarks of the initial AIDS crisis in this country was the way in which it seemed to take aim at America's musical and artistic community like no other epidemic ever had. It is little wonder that composers, poets, playwrights, artists, and performers responded with the most significant tools and resources at their disposal-their own creative gifts-to draw the wider world's attention to this new killer in their midst and to the acute suffering of its many victims.Among the first concerted efforts to gather composers, lyricists, and singers together for the cause of AIDS Awareness was the AIDS Quilt Songbook organized by the late baritone William Parker in 1991. That project was conceived not so much as a definitive and finished work in its own right, but rather as a catalyst for other works to follow it and be aligned with it. A number of similar projects have sprung up in its wake, with An AIDS Quilt Songbook: Sing for Hope being the most recent and one of the most artistically impressive. Its initial inspiration came from the death of a promising 25 year old tenor named Frank Logan in 1995. A number of his friends and colleagues came together to give voice to their grief and to their grim determination for an AIDS cure to be found. What ultimately sprang from that earnest first effort was an organization called Sing For Hope, anchored by a number of Juilliard students and alumni, in cooperation with agencies and organizations such as Houston's Omega House where Logan had received hospice care. In seven short years, Sing For Hope has grown into a consortium of more than 1,500 artists who volunteer their services for performances in all kinds of different places where a word of hope is so desperately needed. Their central credo eloquently states, We believe in the power of art to heal, teach, and bring joy to those who need it most.It is under this group's auspices that An Aids Quilt Songbook: Sing for Hope was conceived and created with the utmost care and sensitivity. The 23 songs collected here reflect all kinds of different facets of what might be called the Aids Experience. Many are poignant expressions of loss or fear or anger in the face of this relentless disease. Others give voice to hopes and dreams of a better day, or summon us to action in a musical call to arms. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,002 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,001 |
| Bibliométrie | 0,001 | 0,000 |
| Études des sciences et des technologies | 0,002 | 0,000 |
| Communication savante | 0,003 | 0,003 |
| Science ouverte | 0,001 | 0,004 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,704 | 0,546 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».