Notice bibliographique
Résumé
This paper concerns the life of Ted Hughes and poems selected from his main works.I begin by presenting an overview of the poet's life, which is indispensable in understanding his works of art.I then analyze ten poems to help us have an insight into the distinctive character of his writings.Edward James Hughes was born on 17 August 1930 in a terraced house in the village of Mytholmroyd, deep in a valley in West Yorkshire and within walking distance of Brontë country.His father, William Hughes, a carpenter, was one of only seventeen men from an entire regiment who had survived the battle of Gallipoli in the First World War.When Hughes was eight, the family moved to Mexborough in South Yorkshire, where William ran a newsagent and tobacconist shop.Ted Hughes was educated at Mexborough Grammar School and explored the moors, having a fascination for the wildlife in the Pennines.After leaving school, he spent two years in National Service as a wireless mechanic in the Royal Air Force in Yorkshire, after which, in 1951, he went up to Pembroke College, Cambridge.He read English for two years, and finding it sterile, changed to a course in Archaeology and Anthropology.After graduating in 1954, he took a number of odd jobs in London: rose-gardener, nightwatchman, scullion in a zoo, and script reader at the J. Arthur Rank film company.Frequenting Cambridge, he decided in February 1956 to start a poetry magazine, St Botolph's Review, with some friends.It was at a party to celebrate the publication of the first issue that he met a Bostonian called Sylvia Plath, then a Fulbright scholar at Newnham College.Four months later, Hughes and Plath married in London and found a flat in Eltisley Avenue near Granchester Meadows in Cambridge.After Plath graduated from Cambridge in May 1957, they both moved to Boston in the U.S.A., where they taught and wrote from 1957 until 1959.When they returned to England, they rented a small flat in Chalcot Square in London.Their first child, Frieda, was born there in 1960, and they then moved into a large house, Court Green, in Devon.In 1962, their son Nicholas was born.Soon afterwards, however, Hughes fell in love with Assia Wevill, a poet who visited from London, where she lived after having resided for a long time in Canada.After Plath and Hughes separated, it was tragic that Plath took her own life in February 1963.In 1970, after Wevill committed suicide the previous year, in a mimicking way to Plath, Hughes married a nurse called Carol Orchard, and they lived in Court Green in Devon, where Hughes entered a remarkably productive period of writing in which he produced his major works.Consequently, he was recognized as a distinguished post-war poet, which culminated in his appointment as Poet Laureate in 1984.On 28 October in 1998, he died of cancer, only twelve days after he visited Buckingham Palace to receive the Queen's Order of Merit.Seeking the true way of healing, Hughes takes a shamanic approach to thinking about animals and writing about them.In his first collection of poems, The Hawk in the Rain (1957), he deals with the exuberance of energy, the war experience of his father, mass destruction, and the like."Childbirth," one of the poems in the book, contrasts the ordinary world with the chaos that threatens a pregnant woman.In the poem, numbers have the symbolic role of restoring order to the surroundings familiar to her. "Mayday on Holderness" in his second poetry collection, Lupercal (1960), evokes a grotesque scene of a heap of wastes and mess caused by the Battle of Gallipoli.One image dominating this poem is the sea, where deep-sea fish live among the debris, garbage, and wreckage, and in which the sea symbolizes everyday life, which absorbs everything into it.Another image is a digestive organ that eats up everything, including leftovers, as a mute eater.In "The Voyage" in Lupercal, the sea is nothing but a mystery, incomprehensible to humans.This is reminiscent of John Donne's poem, "Air and Angels," as Professor John Cary has pointed out.In the sea, there is something beyond the experience of men who feel isolated from the world due to the rebuffs of their lovers.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,003 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,000 |
| Études des sciences et des technologies | 0,004 | 0,005 |
| Communication savante | 0,003 | 0,002 |
| Science ouverte | 0,000 | 0,001 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,011 | 0,006 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».