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テッド・ヒューズ--シャーマン詩人の役割

2011· article· ja· W1488126937 sur OpenAlexaboutno aff
勝也 広本

Notice bibliographique

RevueInstitutional Repositories DataBase (IRDB) · 2011
Typearticle
Langueja
DomaineEngineering
ThématiqueMilitary Technology and Strategies
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésComputer science
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

This paper concerns the life of Ted Hughes and poems selected from his main works.I begin by presenting an overview of the poet's life, which is indispensable in understanding his works of art.I then analyze ten poems to help us have an insight into the distinctive character of his writings.Edward James Hughes was born on 17 August 1930 in a terraced house in the village of Mytholmroyd, deep in a valley in West Yorkshire and within walking distance of Brontë country.His father, William Hughes, a carpenter, was one of only seventeen men from an entire regiment who had survived the battle of Gallipoli in the First World War.When Hughes was eight, the family moved to Mexborough in South Yorkshire, where William ran a newsagent and tobacconist shop.Ted Hughes was educated at Mexborough Grammar School and explored the moors, having a fascination for the wildlife in the Pennines.After leaving school, he spent two years in National Service as a wireless mechanic in the Royal Air Force in Yorkshire, after which, in 1951, he went up to Pembroke College, Cambridge.He read English for two years, and finding it sterile, changed to a course in Archaeology and Anthropology.After graduating in 1954, he took a number of odd jobs in London: rose-gardener, nightwatchman, scullion in a zoo, and script reader at the J. Arthur Rank film company.Frequenting Cambridge, he decided in February 1956 to start a poetry magazine, St Botolph's Review, with some friends.It was at a party to celebrate the publication of the first issue that he met a Bostonian called Sylvia Plath, then a Fulbright scholar at Newnham College.Four months later, Hughes and Plath married in London and found a flat in Eltisley Avenue near Granchester Meadows in Cambridge.After Plath graduated from Cambridge in May 1957, they both moved to Boston in the U.S.A., where they taught and wrote from 1957 until 1959.When they returned to England, they rented a small flat in Chalcot Square in London.Their first child, Frieda, was born there in 1960, and they then moved into a large house, Court Green, in Devon.In 1962, their son Nicholas was born.Soon afterwards, however, Hughes fell in love with Assia Wevill, a poet who visited from London, where she lived after having resided for a long time in Canada.After Plath and Hughes separated, it was tragic that Plath took her own life in February 1963.In 1970, after Wevill committed suicide the previous year, in a mimicking way to Plath, Hughes married a nurse called Carol Orchard, and they lived in Court Green in Devon, where Hughes entered a remarkably productive period of writing in which he produced his major works.Consequently, he was recognized as a distinguished post-war poet, which culminated in his appointment as Poet Laureate in 1984.On 28 October in 1998, he died of cancer, only twelve days after he visited Buckingham Palace to receive the Queen's Order of Merit.Seeking the true way of healing, Hughes takes a shamanic approach to thinking about animals and writing about them.In his first collection of poems, The Hawk in the Rain (1957), he deals with the exuberance of energy, the war experience of his father, mass destruction, and the like."Childbirth," one of the poems in the book, contrasts the ordinary world with the chaos that threatens a pregnant woman.In the poem, numbers have the symbolic role of restoring order to the surroundings familiar to her. "Mayday on Holderness" in his second poetry collection, Lupercal (1960), evokes a grotesque scene of a heap of wastes and mess caused by the Battle of Gallipoli.One image dominating this poem is the sea, where deep-sea fish live among the debris, garbage, and wreckage, and in which the sea symbolizes everyday life, which absorbs everything into it.Another image is a digestive organ that eats up everything, including leftovers, as a mute eater.In "The Voyage" in Lupercal, the sea is nothing but a mystery, incomprehensible to humans.This is reminiscent of John Donne's poem, "Air and Angels," as Professor John Cary has pointed out.In the sea, there is something beyond the experience of men who feel isolated from the world due to the rebuffs of their lovers.

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction machine sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,003
Version: metacan-v3-hybrid-931329e0061cStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Empirique · Signal consensuel: aucune
Score de désaccord entre enseignants0,011
Score d'incertitude au seuil0,036

Scores du classifieur distillé par catégorie (deux têtes)

CatégorieCodexGemma
Métarecherche0,0010,003
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0010,000
Études des sciences et des technologies0,0040,005
Communication savante0,0030,002
Science ouverte0,0000,001
Intégrité de la recherche0,0010,002
Charge utile insuffisante (le modèle a refusé de juger)0,0110,006

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,026
Tête enseignante GPT0,226
Écart entre enseignants0,199 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2011
Routes d'admission1
Résumé présentoui

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