Notice bibliographique
Résumé
In 2010, Keith Aoki and I coined the phrase 'immigration regionalism' to describe a proposed innovation in immigration law and policy reform. Our intention was that immigration regionalism would become Immigration Regionalism — a book-length articulation, argument, and analysis of the provocative idea — in hopes that others would take up, critique, expand, revise, and operationalize this notion, in other words: help to answer our query as to whether 'immigration regionalism is an idea whose time has come.' Thus, without Immigration Regionalism, and without Keith, immigration regionalism necessarily remains incomplete. Given Keith’s love of music, his talent and background as a musician, his distinctive collaborative style of riffing-and-jamming, and his prolific career forged by crossing genres and media, I regard the status of our work on immigration regionalism like the first song of an unfinished album: Immigration Regionalism. Perhaps just as important as what we discussed is what we did not discuss before Keith passed away on April 26, 2011. Specifically, we had not written about these basic topics: what is a region; how and why are regions defined and who defines them; what is regionalism; what is the connection between regions and regionalism; what meaning or influence might regionalism have in the context of immigration law and policy; and what might count as an immigration region. I want to begin to address those topics here. In paying my respects to the influence of Keith’s work and thought, it feels right to continue with the focus of our collaboration and to reflect upon and share with others the distinctiveness of how Keith worked. How Keith thought through and worked out ideas with others was utterly refreshing, both professionally and personally speaking, and it is part of what so many of us dearly miss. With this Article, I mean to help bring our unfinished album nearer to completion. I do so here both by sharing the genesis and formation of immigration regionalism and by discussing and employing the methods by which we worked. I use a song structure framework as the organizational framework for this piece, both in homage to Keith and in keeping with our style of collaboration, and I utilize eco — the recalling of previously played notes, though softly and in a different octave — as I work to advance this half-written song toward a coda (repeat) and fade. My hope is that Keith’s voice, as well as his thought, vision, and inspiration, remains resonant here and in any future work on immigration regionalism.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,002 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,010 | 0,006 |
| Communication savante | 0,011 | 0,009 |
| Science ouverte | 0,001 | 0,005 |
| Intégrité de la recherche | 0,004 | 0,008 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,014 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».