Notice bibliographique
Résumé
Keynote Speech to the Sixth Annual NINE Spring Training Conference, March 13, 1999 In the summer of 1985 I set out on a two-month, 12,000-mile odyssey around the U.S. following the tour routes of the 1869 Cincinnati Red Stockings. My intention was to visit the twenty-six cities and towns where they played. I managed to get to all but Fort Wayne, which still remains on my to-do list. was I doing this in the first place? Well, it began with my reading Douglas Wallop's Baseball: An Informal History. Wallop, you may remember, wrote The Year the Yankees Lost the Pennant, which became the Broadway hit Damn Yankees. I was intrigued by Wallop's charming descriptions of the first ballplayers to come out in the open and say they were playing a boy's game for money. Their salaries were guaranteed by contracts, and the amounts were even published in newspapers. (By the way, the day after tomorrow, Monday, is the 130th anniversary of the start of those contracts: March 15th, 1869; they ran eight months, expiring on November 15th.) Wallop recounted how opponents called player-manager Harry Wright a bearded boy in bloomers and captain of the bloody calves because of the team's new knickerbocker-style uniform. Wallop also told of them riding across plains and prairies to play in San Francisco--which meant they had ridden the new transcontinental railroad in the very first months of its existence. Who were those guys? I wondered. What was it like to be a twenty-two-year-old playing baseball only four years after the end of the Civil War and seven years before the Custer massacre, when the West was still wild? What was society like? What was baseball like? This was hardly a new pattern. As a boy I would read, say, Robin Hood and then probe its reality by delving into a general history or perhaps a biography of Richard the Lion-Hearted. In college I was a double major--literature and history--and taught those subjects later along with psychology--the very elements of novel making. By spring of 1985 I had done enough research on post-Civil War matters to become fascinated by them and also to realize that little in the way of commercial entertainment had employed that era as a setting. Most of it had been focused in the South, such as KKK-related stories during Reconstruction. Nothing had been set in the North except the old TV program Wild West, which I think took place during Grant's second administration. The year 1869 seemed a fabulous backdrop for some kind of story. Consequently, on Sunday, May 5th, 1985, I prepared to set out from Seattle, where my wife, Lura, was then employed as an actress. We loaded gear into my truck - Lura had purchased a camper shell as a setting-out gift. Is she a great wife, or what? - and in jumped our beagle-mix, Missy. The scouting report on Missy read: Best position shortstop. Great natural instincts, speed, and range; can get her teeth around almost anything ever turned out at the Louisville bat factory. She would be my traveling companion i n the weeks to come. We left Seattle at 6 A.M. and set out across the Cascades, passing through Ritzville and St. Regis and Saltese; through Spokane and Couer d'Alene and Missoula. By nightfall we'd gone 704 miles and found a KOA campground to our liking outside of Bozeman Hot Springs, Montana. Next morning I breakfasted at the Cowboy Cafe in downtown Bozeman, where I caught snippets of dialogue (more accurately, intersecting monologues) that went: Hey, Craig... [long silence] Ah sold thet roll a bob wahr... . and the uninflected response: ... Huh.. . On the TV in the corner was coverage of historians combing the Little Bighorn site with metal detectors, attempting to track the 1876 battlefield movements by means of ballistic tests on shell casings. The commentary in the Cowboy Cafe went: Why the hell they wanna spend money finding out what happened to Custer? He got kilt-that's what happened! By then I knew, if I hadn't already suspected, that I'd left my usual haunts and was somewhere adrift in America. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,095 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».