Caviar and Ashes: A Warsaw Generation's Life and Death in Marxism, 1918-1968
Notice bibliographique
Résumé
Marci Shore. Caviar and Ashes: A Warsaw Generation's Life and Death in Marxism, 1918-1968. New Haven and London: Yale University Press, 2006. 457 pp.Norman Naimark's excellent study of the beginning of the Polish Marxist/proletarian movement and thought, titled History of the Proletariat: Emergence of Marxism in the Kingdom of Poland is now complemented by Marci Shore's account of its final chapters. Her discussion of group of ardent Marxists cum artists is a welcome effort that enriches the American discourse on the subject. Viewed against the backdrop of Naimark's and Leszek Kotakowski's epic Main Currents of Marxism: Its Rise, Growth, and Dissolution, her book shifts the focus from their purely historical and philosophical approach, respectively, to a more interdisciplinary reading. Shore limits her task in following a group of Marxists and communists centered around the prewar Warsaw periodical Miesiecznik Literacki (Literary Monthly). Behind rather unimaginative but functional title lay a forum for artistic experiments, a screen for a lively torrent of political activism, strong ideological convictions without party allegiance (as was Aleksander Wat's case), and the locus for an adventurous social life.After introducing her colourful and brazenly idealistic protagonists, Shore modestly states: The story that follows is theirs (p. 4). Of course, in the strictest sense Shore does not own story, for it belongs-as the lives they lived-to her protagonists. Even though the layer of biographical facts is theirs, it is the tone of the narrative voice, the distinctive narrative presence and the manner of tailoring these facts fused with the sense of controlling her historical material that makes complicated story Shore's own. Ultimately, we deal here not with a question of who owns the story, but with an ontological difference between life's raw material and its analytical representation; for Shore has transformed the (un)known data and chaos that inform human existence along with its multitude of voices and perspectives into a highly organized, coherent and teleologicallydriven narrative.As an historian, Shore collected as much information as was available, which means that she vigorously read, studied, consulted, travelled and interviewed. sheer amount of knowledge she woven into her text is in itself impressive. In her conveying of diverse and abundant information about the factual lives of one Warsaw generation into a rigorous historical narrative, Shore had the advantage of having gained access to post-Soviet archives; bonanza can be fully appreciated only by those readers who are familiar with the rich (auto)biographical literature produced by group of young Marxists and parleyed into coherence by its scholars and editors. Those who know the labyrinthine nature of interbellum Polish history and its culture can also appreciate Shore's work and her filling in of history's blank spots, while revising certain speculative claims. texture of her storytelling is quite rich: the so called objective facts that inform everyone's biography-at least on the surface-appear along with sophisticated gossip, vignettes, anecdotes, notes, jokes, poems (treated as historical sources), and all sorts of enticing secrets. This historical and cultural material-retold and refined by Shore-creates an effect of a somewhat confusing proximity of her own monograph to the genre of the collated experiences of a particular group. Leaning more on the biographical side, Shore, nonetheless, also covers the trajectory of intellectual and aesthetic developments in the Marxist discourse as it evolved in Poland.In her introduction the author makes several claims, of which deserves specific attention because of its serious philosophical implications. As she writes, this book's central contribution to our understanding of Marxism lies in this, in the exploration of Marxism as a lived experience, its messiness and failure of typologies (p. …
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