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Lifted: An Interview with Lisa Robertson

2005· article· en· W1592460612 sur OpenAlexaboutno aff
Kai Fierle-Hedrick

Notice bibliographique

RevueChicago Review · 2005
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueContemporary Literature and Criticism
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésNothingReading (process)ConversationWhite (mutation)ExhibitionMedia studiesVisual artsArt historySociologyArtHistoryLinguisticsPhilosophy
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

Date: Saturday, 19 March 2005 Time: 12:32 PM Site: Tate Modern Materials: Two paper cups of coffee (one black and one white), two metal chairs, one medium-sized square table, atmospheric noise (din, espresso machine), a range of windows and doors, an exhibition of mixed-media work by Joseph Beuys, some minutes, conversation. And the quality itself? It's okay. You get a lot of atmosphere, but when I've done recordings of plain speech they've come out clear. Nothing picks up. So I had been reading John Clare in a very beginning kind of way, and was starting to become familiar with his work. And when I was interviewed for this Cambridge fellowship I had to describe a project. I said something about John Clare and meter. I actually didn't really know what I was going to do. It's like applying for a grant. You have to be able to describe a project ... From the very beginning. As if you know how you're going to do something! So anyways, my only idea--once I actually got the job and arrived there--was that I should do something that pertained to the place where I was. And I had access to the library and the rare book room. It would be stupid, for example, to spend my time reading English translations of post-structuralism. Something I could read anywhere. So I thought I should form a kind of reading-research project that was particular to where I was, that I wouldn't have had the opportunity to do otherwise. I didn't actually know what it was going to be, but I was already interested in the transition from a sort of neo-classical into a romantic cultural paradigm. So I was beginning to read around this cultural nexus, its literary and cultural history. I arrived in Cambridge with a very loose constellation of ideas. I was also very interested in the idea of sincerity as it arose as a romantic paradigm, being so different from neo-classical irony and rhetoric. It is so different ... Totally! So I became interested in the idea of sincerity as a problem. And these were the ideas that were circulating, the sorts of--you know--irritants that were circulating. And once I arrived, and was feeling very culturally weird, and very estranged from the situation I was living in--well, you listen very carefully so you can learn how to fit in somewhere, and you try to understand how to conduct yourself. I'm sure you experienced similar things. Definitely. And I thought I had to go to fellow's lunch every day and things like this. When I was in Cambridge I went to one dinner at my college, the first dinner, and I had to borrow a proper gown. Someone told me that the design of the sleeves was meant to indicate your level of study ... A hierarchy. Exactly. I remember at the end of the dinner we had tea and coffee and a man sitting across from me actually reclined in his chair, took a sip of coffee and said poshly, isn't it lovely to have a civilized meal every once and a while? I froze, looked at him and thought, what!? and pretty much vowed that was it for me. I felt similarly, but I felt I was required to do it as part of the protocol of my fellowship. And I suppose I could have ignored it all, but like a lot of Canadian girls I was very anxious to be polite. Anyway, I noticed right away that everybody talked about the weather all the time. I always thought Canadians spoke about the weather more than anyone else in the world. Well I felt it differently in England. And so I just sort of ... with friends out drinking one night I was generally outlining my feelings of cultural weirdness, and I told them I was going to write a book about the weather. And then that actually became the project, because right away everyone started giving me citations like the BBC ... shipping news. I listen to the shipping news here late at night--it's very soothing. Geoff Gilbert told me the shipping news was better than Olson. …

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction machine sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.

score de la tête « metaresearch » (Codex)0,008
score de la tête « metaresearch » (Gemma)0,019
Version: metacan-v3-hybrid-931329e0061cStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Autre · Signal consensuel: aucune
Score de désaccord entre enseignants0,063
Score d'incertitude au seuil0,126

Scores du classifieur distillé par catégorie (deux têtes)

CatégorieCodexGemma
Métarecherche0,0080,019
Méta-épidémiologie (sens strict)0,0010,001
Méta-épidémiologie (sens large)0,0020,001
Bibliométrie0,0020,003
Études des sciences et des technologies0,0240,008
Communication savante0,0100,010
Science ouverte0,0030,006
Intégrité de la recherche0,0090,015
Charge utile insuffisante (le modèle a refusé de juger)0,0370,014

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,042
Tête enseignante GPT0,259
Écart entre enseignants0,217 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreAutre

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2005
Routes d'admission1
Résumé présentoui

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