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Enregistrement W1601747221

Wherever I Wind Up. My Quest for Truth, Authenticity, and the Perfect Knuckleball

2012· article· en· W1601747221 sur OpenAlex
Robert A. Moss

Pourquoi ce travail est dans la base

Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.

venuePublié dans une revue dont le pays d'attache est le Canada.
no affAucune affiliation canadienne : ce travail est invisible pour une base fondée sur la seule affiliation.
Aucune affiliation canadienne. Une base fondée sur la seule affiliation (le devis habituel) n'aurait jamais vu ce travail. C'est l'un des travaux qui justifient l'inversion de la base.

Notice bibliographique

RevueNine · 2012
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueAmerican Sports and Literature
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésSummitLeagueHistoryGeographyArt historyCartography
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

R.A. Dickey with Wayne Coffey. Wherever I Wind Up. My Quest for Truth, Authenticity, and the Perfect Knuckleball. New York: Blue Rider Press, 2012, 340 pp. Cloth, $26.95. In The Snows of Kilimanjaro, Ernest Hemingway writes, is a snow-covererd mountain 19,710 feet high, and is said to be the highest mountain in Africa. Its western summit is called by the Masai, 'Ngaje Ngai,' the House of God. Close to the western summit there is the dried and frozen carcass of a leopard. No one has explained what the leopard was seeking at that altitude. Perhaps R.A. Dickey discovered the leopard's secret when he climbed Kilimanjaro in January 2012 in support of the Bombay Teen Challenge, describing his ascent in several real-time blogs to the New York Times. He must have learned something on the mountain because, at least in the first part of the 2012 season, his knuckleball was nearly unhittable as he streaked to an 11-1 record. Whether Dickey's newfound mastery continues, at this writing he is enjoying the greatest success of his career. The pun in the first part of Dickey's title refers to his itinerant baseball career which stretches over fourteen seasons, four major-league teams, and several minor-league teams, including all or parts of seven seasons with the Texas Rangers' triple-A Oklahoma City Red Hawks. The second portion of his title, however, is serious, descriptive, and precise. Dickey's quest for the perfect knuckleball has taught him that what he seeks is not solely a technical matter of grip and spin, but a broader odyssey of personal growth, indeed, a search for truth and authenticity. Dickey's apologia pro vita sua successfully blends confession, biography, baseball play-by-play, technical aspects of the knuckleball, and psychoanalysis--think here of Hesse's Steppenwolf reconfiguring the shards of his life. And, in Dickey's thirty-seven years, there have been many shards to reconfigure: a broken family, genteel poverty, an indifferent father, an alcoholic mother, and repeated sexual abuse by a babysitter at the age of eight. On the positive side, Dickey's talent as a pitcher, and a fierce competitive spirit honed by adversity, earned him All-American status at the University of Tennessee, a starting berth on the 1996 US Olympics baseball team, a first-round draft selection by the Texas Rangers, and a proffered $810,000 signing bonus. But the latter was not to be: presigning physicals revealed that Dickey lacked an ulnar collateral ligament in his pitching elbow; the eighteenth draft pick was suddenly damaged goods. Texas rescinded its initial offer and R.A. ultimately signed for $75,000, beginning a professional career that between 2001 and 2010 took him to Texas, Seattle, Minnesota, and the New York Mets, punctuated by years of toil in the minor leagues. After two mediocre seasons with the Rangers, in 2003 and 2004, and nine years in the Rangers' system, the steam had gone out of Dickey's fastball, and he was advised by manager Buck Showalter and pitching coach Orel Hershiser to reinvent himself at Oklahoma City; to make the knuckleball he had toyed with the focus of his repertoire. …

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,000
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesCharge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Empirique · Signal consensuel: aucune
Score de désaccord entre enseignants0,846
Score d'incertitude au seuil0,988

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0000,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0130,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,015
Tête enseignante GPT0,225
Écart entre enseignants0,210 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle