Notice bibliographique
Résumé
Volume 1 A CULTURAL HISTORY OF ANIMALS IN ANTIQUITY Edited by Linda Kalof Introduction: Ancient Animals, Linda Kalof, Michigan State University 1. Animals: From Souls and the Sacred in Prehistoric Times to Symbols and Slaves in Antiquity, Jim Mason, Independent Scholar, USA 2. Hunting in the Ancient Mediterranean World, J. Donald Hughes, University of Denver 3. How Domestic Animals Have Shaped the Development of Human Societies, Juliet Clutton-Brock, Independent Scholar, UK 4. Beastly Spectacles in the Ancient Mediterranean World, Jo-Ann Shelton, University of California at Santa Barbara 5. The Observation and Use of Animals in the Development of Scientific Thought in the Ancient World, Andrew Gordon, Independent Scholar, USA 6. Animals in Ancient Philosophy: Conceptions and Misconceptions, Stephen T. Newmyer, Duquesne University 7. Animals into Art in the Ancient World, Christine Morris, Trinity College, Dublin Volume 2 A CULTURAL HISTORY OF ANIMALS IN THE MEDIEVAL AGE Edited by Brigitte Resl Introduction: Animals in the Middle Ages, Brigitte Resl, Goldsmiths College, London 1. Animals in Medieval Folklore and Religion, Sophie Page, University College London 2. Medieval Hunting, An Smets, Katholieke Universiteit Leuven, and Baudouin van den Abeele, Universite Catholique de Louvain 3. Domestication, Esther Pascua, University of St. Andrews 4. Animals in Medieval Sports, Entertainments, and Menageries, Lisa Kiser, Ohio State University 5. Animals in Medieval Science, Pieter Beullens, Katholieke Universiteit Leuven 6. Philosophical Beliefs, Pieter De Leemans, Katholieke Universiteit Leuven, and Matthew Klemm, John Hopkins University 7. Animals in Art in the Middle Ages, Brigitte Resl, Goldsmiths College, London Volume 3 A CULTURAL HISTORY OF ANIMALS IN THE RENAISSANCE Edited by Bruce Boehrer Introduction: The Animal Renaissance, Bruce Boehrer, Florida State University 1. A 'Foule Fowle': The Marginalised Cormorant in the Renaissance, Kevin De Ornellas, Queen's University, Belfast 2. Hunting Rites and Animals Rights in the Renaissance, Charles Bergman, Pacific Lutheran University 3. Domesticated Animals in Renaissance Europe, Peter Edwards, Roehampton University 4. Entertaining Animals 1558-1625, Teresa Grant, University of Warwick 5. The Relation Between Discourse and Illustrations in Natural History Treatises of the Mid-Sixteenth Century, Philippe Glardon, Institut Universitaire d'Histoire de la Medecine at Lausanne 6. Philosophers and Animals in the Renaissance, Stefano Perfetti, University of Pisa 7. Meticulous Depiction: Animals in Art, 1400-1600, Victoria Dickenson, McCord Museum, McGill University Volume 4 A CULTURAL HISTORY OF ANIMALS IN THE AGE OF ENLIGHTENMENT Edited by Matthew Senior Introduction: The Place of the Animal, 1600-1800, Matthew Senior, University of Minnesota, Morris 1. The Souls of Men and Beasts, 1637-1764, Matthew Senior, University of Minnesota, Morris 2. Hunting and the Ancien Regime, Philippe Salvadori, Universite de Bourgogne 3. Strange Familiars: The Two Faces of Animal Domestication, Karen Raber, University of Mississippi 4. Inside and Outside: Animal Activity and the Red Bull Playhouse, St. John Street, Eva Griffith, University of Durham 5. Natural History, Natural Philosophy, and Animals, Anita Guerrini, University of California, Santa Barbara 6. The Animal Enlightenment, Jean-Luc Guichet, College de Philosophie, Paris 7. The Animal in 17th and 18th-Century Art, Madeleine Pinault-Sorensen, Musee du Louvre Volume 5 A CULTURAL HISTORY OF ANIMALS IN THE AGE OF EMPIRE Edited by Kathleen Kete Introduction: Animals and Human Empire, Kathleen Kete, Trinity College, Hartford 1. The Moment of Greyfriars Bobby: The Changing Cultural Position of Animals in Europe, Hilda Kean, Ruskin College, Oxford 2. Hunting Empires in Britain and the United States, Daniel Herman, Central Washington University 3. Domestication of Empire: Human-Animal Relations at the Intersection of Civilisation and Acclimatization in the Nineteenth Century, Dorothee Brantz, Department of History, SUNY Buffalo 4. How the Caged Bird Sings: Entertainment and the Exhibition of Animals, Nigel Rothfels, University of Wisconsin-Milwaukee 5. From Birds of Paradise to Drosophila: The Changing Roles of Scientific Specimens in Europe and America to 1920, Narisara Murray, Independent Scholar, Cambodia 6. Philosophy and Animals in the Age of Empire, Mark Rowlands, Department of Philosophy, University of Hertfordshire 7. Narrative Dominion or The Animals Write Back? Animal Genres in Literature and the Arts, Teresa Mangum, Department of English, University of Iowa Volume 6 A CULTURAL HISTORY OF ANIMALS IN THE MODERN AGE Edited by Randy Malamud Introduction: Famous Animals in Modern Culture, Randy Malamud, Georgia State University 1. The Golden Spider and Her World-Wide Web: Sacred and Symbolic Animals in the Era of Change, Boria Sax, Mercy College 2. Hunting in the Modern Age, Garry Marvin, Roehampton University 3. The Present and Future of Animal Domestication, Margo DeMello, Albuquerque TVI College, New Mexico 4. Zoo Animals as Entertainment Exhibitions, David Hancocks, Royal Institute of British Architects,, Australia 5. Scientific Animals: The Laboratory and its Human-Animal Relations, from Dba to Dolly, Karen Rader, Sarah Lawrence College 6. Animal Philosophy: Ethics and Zoontology, Ralph Acampora, Hofstra University 7. Animals in Twentieth Century Art, Jonathan Burt, Independent Scholar, UK
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,026 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».