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On Walking -Conference Proceedings

2013· book· en· W189312612 sur OpenAlexaboutno aff
Mike Collier

Notice bibliographique

RevueSunderland Repository (University of Sunderland) · 2013
Typebook
Langueen
DomaineSocial Sciences
ThématiqueGeographies of human-animal interactions
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésExhibitionVisual artsSection (typography)DisciplinePerformance artMedia studiesHistoryArtArt historySociologySocial scienceAdvertising
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

An online book of selected essays from the conference On Walking. The aim of the conference ‘On Walking’ was to provide artists, designers, anthropologists, architects, academics and others with an opportunity to present their ideas, proposals and findings about the role that walking plays in the way we understand and perceive the world. We were delighted that Tim Ingold was able to deliver a terrific key note paper (‘The Maze and the Labyrinth: Walking and the Education of Attention’ – copy of which can be found in the catalogue to ‘Walk On’ (click here to see an online copy of the catalogue) which both underlined and challenged current theories about the relationship between walking and being in the world; and we were thrilled that so many people attended the conference and presented stimulating and thought-provoking papers from around the world (from Canada, North America, South America, Spain, France, Holland, Italy, Scandinavia, Hong Kong and Australia as well as throughout the UK). The conference was genuinely multi-disciplinary, with contributions from practicing artists, designers and architects to academics from a broad cross-section of disciplines. It was timed to coincide with the exhibition ‘Walk On: Forty Years of Art Walking – From Richard Long to Janet Cardiff’ at the Northern Gallery for Contemporary Art in Sunderland. Walk On was the first exhibition in the UK to examine the astonishingly varied ways in which artists since the late 1960s have used what would seem like a universal act – of taking a walk – as a means to create new types of art. Curated by Cynthia Morrison-Bell (Art Circuit Touring Exhibitions), Alistair Robinson (NGCA) and Mike collier (W.A.L.K.), it included photography, film, and installation works, and brought together a diverse group of artists inspired by their travels on foot. ‘Walk On’ offered an as-yet-unwritten history of a major strand of recent art practice. It argued that from land art and conceptual art, and from street photography to the essay-film, an exceptionally wide range of artists have created their work from an act of walking, in the city or the land. These artists often acted as ‘explorers’, whether making their mark on the rural wilderness, documenting small journeys, or undertaking close examination of the urban environment around them. The show provided a valuable context for the conference and was attended by all delegates on the evening of the first day when we treated to a tour of the show by artists Atul Bhalla , Brian Thompson, Bryndis Snaebjornsdottir, Clare Qualmann (walkwalkwalk), Mark Wilson, Mike Collier, Rachael Clewlow, Wrights & Sites (Stephen Hodge, Simon Perseghetti, Cathy Turner, Phil Smith) followed by a wine reception, a talk by Tom Chivers, and a poetry reading by Alec Finlay. There was a generosity of spirit that ran throughout the two days of the conference which ended with delegates suggesting that this was an event which should be followed up by establishing an international committee to begin the process of organising a bi-annual conference, ‘On Walking’, that would travel the world. More information about this initiative will be posted on the WALK website in due course. We would like to offer our sincere thanks to all those who took part in this stimulating event and hope you enjoy reading the selected papers in the following pages of this online publication. Further, it our intention to produce an edited and selected group of essays in hard copy over the next two years. This book will be published by Art Editions North and distributed by Cornerhouse Publications (please click here for further information about Cornerhouse Publications and AEN) Heather H. Yeung and Mike Collier

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction machine sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.

score de la tête « metaresearch » (Codex)0,004
score de la tête « metaresearch » (Gemma)0,013
Version: metacan-v3-hybrid-931329e0061cStatut de validation: machine_predicted_unvalidated
Catégories candidatesCharge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Autre · Signal consensuel: Autre
Score de désaccord entre enseignants0,353
Score d'incertitude au seuil0,923

Scores du classifieur distillé par catégorie (deux têtes)

CatégorieCodexGemma
Métarecherche0,0040,013
Méta-épidémiologie (sens strict)0,0020,001
Méta-épidémiologie (sens large)0,0010,001
Bibliométrie0,0050,008
Études des sciences et des technologies0,0060,001
Communication savante0,0140,005
Science ouverte0,0030,009
Intégrité de la recherche0,0040,005
Charge utile insuffisante (le modèle a refusé de juger)0,3530,175

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,020
Tête enseignante GPT0,234
Écart entre enseignants0,214 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreAutre

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2013
Routes d'admission1
Résumé présentoui

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