Notice bibliographique
Résumé
Western imperial culture burdens Canadian society with an unjust hierarchy animals. Thinkers implicitly use hierarchy to arrange animals along a being, from creatures worthy to exist, to unworthy expendable victims. justifications hierarchy sometimes include subtle reasons that an animal is doomed. At other times, the need for justifying the existence one creature instead another is blatant. Whether subtle or obvious, the chain being projects a purpose onto everything within its purview. Colonial explorers must imagine the world in terms that allow an empire to conquer the animals that live in new territory. Therefore, the injustices imperialism result in a logical disconnection between the realities indigenous life forms and western societies. In the twenty-first century, the blinders that allowed Europeans to expand their political domains over the earth are being vigorously called into question. logical disconnection between western culture and the conquered world is being subverted by apparent imminent ecological catastrophes around the world. Canadians live in an ecologically diverse nation that is the political result cultural and ecological imperialism by several European powers. Comfort and survival depend on how well Canadians can overcome the legacies colonization by challenging the logic environmentally unsound thinking. People need to explore the reasons that they are facing so many impending global catastrophes. Catherine Owen, a Canadian poet, has written a poem, The Dodo (13), that reveals multiple layers prejudice in the legacy the dodo's extinction. The Dodo lays bare the rationalizations used to justify forced extinction in ways that allow readers to radicalize their own critical thinking about animal rights and the environment. Dodos are important to Owen because they are famous. She compares them to Mae West's dubious glamour and also to a poster child of the vanished. As for Owen herself, she claims that when she was a child the dodo was the only creature which she was aware that had been erased from the earth. For the dodo to be the only extinct creature that Owen knew about in her youth is a startling claim since every Canadian child knows about dinosaurs. However, extinction is not enough for describing the dodo. book in which The Dodo appears, Wrecks Eden, is about the tension between naturalists and their culture (22), as well as the pressures citizenship and modern human-driven extinction (48-49, 60). There must be a profound effect on her environmental politics and Canadian identity if awareness these tensions began to develop in her early youth. That the dodo stands apart even from dinosaurs suggests that Canadian children already develop a critical consciousness that distinguishes natural selection from irresponsible killing by humans. Owen noticeably foregrounds two ways that the dodo acts as a symbol hierarchy. One is a sort explanation based on competition or willpower. Competitiveness is a loose rationalization about evolution that is used as a justification for violence. second symbol is a subtler expression how that irrational sense competition now affects a claim to entitlement based on intelligence. At issue is the legitimacy extinction. Human selection, as opposed to natural selection, is based on conscious efforts to manipulate a species or habitat. Human society is replete with examples conscious selection in action (Darwin 71-100). There are also many examples extinction as an unintended consequence human expansion (Crosby 273) and development (Carson 111). Twenty-first century thinkers like Australian Susan Hawthorne (93-100) and Indian Vandana Shiva (Biopiracy 4-5; Stolen Harvest 12-1 A) have already made the point that the extinction a species through imperialist activities is the result illogical claims about how ecologies are constructed. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,017 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».