As You Like It, and: Macbeth, and: The Tempest, and: Othello (review)
Notice bibliographique
Résumé
Reviewed by: As You Like It, and: Macbeth, and: The Tempest, and: Othello Paul Menzer As You Like It Presented by the American Shakespeare Center at the Blackfriars Playhouse, Staunton, Virginia. June 16-December 1, 2006. Directed by Jim Warren. Assistant Director Jeremy Fiebig. Costume Designer Jenny McNee. Costumer Erin West. Music Director Paul Fidalgo. Fight Choreographer John Paul Scheidler. Original music by Paul Fidalgo, John Harrell, and James Keegan. With Sarah Fallon (Rosalind), Susan Heyward (Celia), Paul Fidalgo (Touchstone), Alvaro Mendoza (Orlando), Rene Thornton, Jr. (Oliver), James Keegan (Jacques de Boys, Adam, William, Sir Oliver Mar-text, Hymen), John Harrell (Duke Frederick), Jake Hart (Duke Senior, Charles, Corin), David Loar (Jaques), Celia Madeoy (Phebe, Dennis, Amiens), and Matthew Sincell (Le Beau, Audrey). Macbeth Presented by the American Shakespeare Center at the Blackfriars Playhouse, Staunton, Virginia. June 30-December 2, 2006. Directed by Ralph Alan Cohen. Assistant Director Jeremy Fiebig. Associate Director and Fight Choreographer John Paul Scheidler. Costume Designer Erin West. Costumer Jenny McNee. Music Director Paul Fidalgo. With Alvaro Mendoza (Macbeth), Celia Madeoy (Lady Macbeth), Rene Thornton, Jr. (Macduff, Bloody Captain), Sarah Fallon (Lady Macduff, 3rd Witch, Mentieth, Gentlewoman), David Loar (Duncan), Matthew Sincell (Malcolm), James Keegan (Banquo, Doctor, Siward), Susan Heyward (2nd Witch, Donalbain, Fleance, Young Macduff, Caithness), Jake Hart (1st Witch, Angus, Old Man), John Harrell (Hecate, Porter, Ross, Young Siward), and Paul Fidalgo (Lennox). The Tempest Presented by the American Shakespeare Center at the Blackfriars Playhouse, Staunton, Virginia. June 23-December 2, 2006. Directed by Giles Block. Assistant Director Jeremy Fiebig. Costume Designer Jenny McNee. Costumer Erin West. Music Director Paul Fidalgo. Fight Choreographer John Paul Scheidler. Dance Choreographer Colleen Kelly. Original music by Paul Fidalgo, John Harrell, and James Keegan. With David Loar (Prospero), Susan Heyward (Miranda), John Harrell (Ariel, Ceres), Jake Hart (Caliban), Alvaro Mendoza (Alonso, Iris), Matthew Sincell (Ferdinand), Rene Thornton, Jr. (Sebastian, Juno), Sarah Fallon (Antonio), Celia Madeoy (Gonzalo), James Keegan (Francisco, Stephano, Master), and Paul Fidalgo (Trinculo, Adrian, Boatswain). Othello Presented by the American Shakespeare Center at the Blackfriars Playhouse, Staunton, Virginia. September 1-December 3, 2006. Directed by Jim Warren. Assistant Director Jeremy Fiebig. Costume Designer Erin West. Costumer Jenny McNee. Music Director Paul Fidalgo. Fight Choreographer John Paul Scheidler. With Rene Thornton, Jr. (Othello), Sarah Fallon (Desdemona), James Keegan (Iago), Celia Madeoy (Emilia), Jake Hart (Cassio), Paul Fidalgo (Roderigo), Susan Heyward (Bianca, Clown), David Loar (Brabantio, Lodovico), Alvaro Mendoza (Duke, Gratiano), John Harrell (Montano, Senator), and Matthew Sincell (Senator). At the opening of an essay on "The Theatricality of Medieval English Plays" in the Cambridge Companion to Medieval Theatre, Meg Twycross summarizes the conclusions drawn by a group of Toronto scholars who produced several pageants from the York Cycle under "original staging conditions": We have discovered, among other things, that actors can perform on a stage eight feet by ten feet; that twenty-foot-high pageant wagons are not necessarily doomed to overbalance; that long rhetorical speeches are not by definition "boring"; that spectacle can speak more strongly than words; that it is possible to look the audience full in the face. Above all, we have learnt to trust the plays themselves: that if we take them seriously as theatre, they will work. Medieval theatre has emerged not as childlike or primitive, but as different, and often highly sophisticated. (37) The quotation summarizes the best and worst of the "Original Practice" movement. On one hand, it hardly seems worth the trouble to rebuild pageant wagons to prove that the York Cycle was performed upon pageant wagons. We know that, and we know that these pageants worked because they played for centuries. We do not need to restage plays to prove that they were plays. On the other hand, I doubt I am alone in longing to have seen these productions. That is, if as a scholar of early English drama I am somewhat dubious about the discoveries of these productions, as a fan I am desperate to see them. In fact, a telling paradox—and one of the premises of this review of the American Shakespeare Center's 2006 Summer/Fall Season is that it may not be a paradox—is that while original practice...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,006 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».